The author’s parents owned a business in Times Square in his youth, and he himself has taught at the nearby CUNY Graduate...
From cultural critic Berman (Adventures in Marxism, 1999, etc.), a windy critical essay on Times Square’s past and present, focusing primarily on the films and plays that were set there.
The Broadway musicals include On The Town and 42nd Street; Times Square–related movies range from The Jazz Singe to The Last Detail and Taxi Driver. But Berman also plows through detailed analyses of obscure films like Dorothy Arzner's Dance, Girl, Dance and the quickly forgotten Times Square with Trini Alvarado. We get digressions on Sister Carrie, Betty Boop and Sex and the City, plus a ten-page dissertation on a 1975 essay by cultural critic Laura Mulvey, but Berman never mentions Oscar-winner Midnight Cowboy. Nor does he write a word on Times Square staples like the Ed Sullivan Theater or New Year’s Eve. Instead, Berman seems strangely preoccupied with ascribing left-wing messages to the most seemingly apolitical work. He finds anti-McCarthyism in Guys and Dolls, a pro-Marxist message in Stage Door and discovers that Gypsy is a “declaration of human rights.” Even some of the author’s apolitical assertions give pause. To wit: “Early in the twentieth century, every city had its ‘Great White Way.’ Most of these went dark after World War II, when the Federal Highway System engineered the destruction of downtowns all over the country; New York alone survived to tell the tale.” (Folks in Chicago, Boston or San Francisco might be surprised to hear that.) This meandering tome might have been more digestible with a more focused approach and smoother narrative. But Berman’s prose is often awkward and obtuse, making his overreaching conclusions that much harder to swallow.
The author’s parents owned a business in Times Square in his youth, and he himself has taught at the nearby CUNY Graduate Center for 30 years, so it’s particularly disappointing that he delivers so little historical detail and so much pedantry.Pub Date: Feb. 14, 2006
ISBN: 1-4000-6331-0
Page Count: 288
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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