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MOURNING LINCOLN

A layered, nuanced work demonstrating the mingling of “the cataclysmic with the routine.”

Universal responses to the assassination of President Abraham Lincoln—black and white, North and South, incredulous, gleeful or vengeful—make for grim yet engrossing reading.

With meticulous scholarship, Hodes (History/New York Univ.; The Sea Captain's Wife: A True Story of Love, Race, and War in the Nineteenth Century, 2006, etc.) presents a plethora of people’s intimate reactions to the assassination of Lincoln on April 14, 1865—Good Friday, just days after the Confederate surrender at Appomattox. The country was reeling from the blood bath of the Civil War, and with 2 percent of the population mowed down, death had touched nearly every American household, North and South. The news of the first assassination of an American president—a beloved one who was looked on as a father to the torn, suffering nation—sent shock waves through the country in the spring of 1865. People scribbled their grief into diaries and letters, and Hodes uses the reactions of three protagonists as a “template for broader investigations”: a couple of white abolitionists from Salem, Massachusetts, who were horrified and stricken by the assassination; and a Jacksonville, Florida, lawyer, Rodney Dorman, whose relish in the murder of the president allowed him to vent his anger and disgust at Union occupation and black emancipation. Lincoln’s death galvanized emotions about the war and fears for the future of the nation, especially for African-Americans, who wondered whether their freedom would now be jeopardized. Was the assassination a vast Confederate plot to seize power? Yet Lincoln had been lenient toward the vanquished Southerners, and newly acceded President Andrew Johnson was notoriously ill-disposed toward the rich Southern planters. From reactions by Mary Todd Lincoln to the fiery racist Copperheads, Hodes shows the uneven responses of a nation certainly not “united in grief.”

A layered, nuanced work demonstrating the mingling of “the cataclysmic with the routine.”

Pub Date: Feb. 24, 2015

ISBN: 978-0-300-19580-4

Page Count: 408

Publisher: Yale Univ.

Review Posted Online: Dec. 12, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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