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GORGEOUS LIES

Somewhat rambling, but fine work nevertheless: a moving portrait of a foolish, foul-hearted, but impossibly innocent man.

In a continuation of McPhee’s Bright Angel Time (1997), the strange and lovely life of a man is recalled by all of the wives, children, and assorted others who have gathered around his deathbed.

Previously, Anton came across mainly as a hippie: a 1970s Esalen gestalt therapist who preached free love and practiced what he preached—with a vengeance. Here, his life is looked at from farther back, this in light of his just having been diagnosed with inoperable cancer. From Texas, Anton was raised in a devout Catholic family, entered the Jesuit order in the late 1940s, and spent several years training to be a priest. While studying at Notre Dame, he fell in love with Agnes, an oil heiress, and in 1954 left the order to marry her. The sexual obsessions that had plagued him in religious life weren’t conquered by the Sacrament of Matrimony, however, and his philandering gradually led to much unhappiness, an illegitimate son, and a Haitian divorce of dubious legality. After leaving Agnes (who won custody of their five children and agreed to pay him alimony), Anton takes up with the newly divorced Eve Cooper, who comes to him for psychotherapy. Later, Anton and Eve start a communal farm in New Jersey called Chardin (as in Teilhard), where they live in domestic confusion with Eve’s three daughters, some of Anton’s children, and their own daughter Alice (who was nearly aborted but saved by a family vote). Chardin becomes mildly famous, written up in People and Look and shown on TV documentaries, but the children and Eve eventually leave Anton and go their separate ways. They all return once they learn that he’s dying, however, and collectively argue over how they can or should remember him once he has gone.

Somewhat rambling, but fine work nevertheless: a moving portrait of a foolish, foul-hearted, but impossibly innocent man.

Pub Date: Sept. 1, 2002

ISBN: 0-15-100613-X

Page Count: 336

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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