Highly charged, absorbing reading and most timely in the era of renewed advocacy for civil rights.
Johns Hopkins history professor Jones turns in a searching portrait of African American women who agitated for voting rights over generations.
Born into slavery in 1840 in Kentucky, Susan Davis—the author’s great-great-grandmother—learned a valuable truth: “without the vote, Black Americans had to build other routes to political power.” During the Reconstruction Era, in Davis’ case, this involved building women’s clubs to consolidate political power. She lived to see passage of the 19th Amendment, but that constitutional guarantee did not stop white Kentuckians from attempting to suppress the Black vote. Other activists adopted various tactics to press their cases, from Rosa Parks’ refusal to move to the back of a bus to the sit-ins at lunch counters throughout the South. As Jones writes, the truth of Davis’ conviction endured: “The women of my family, like so many Black women, constructed their political power with one eye on the polls and the other on organizing, lobbying, and institution building.” Naturally, they met opposition from Whites—and often from Black men, who, notes the author, were glad to accept women as helpmeets in political situations but expected them to hold subsidiary roles. In many instances, Black women neatly sidestepped racism; in the case of her great-grandmother, Jones writes, “she would link arms with white women when they shared her sense that American women, even after the Nineteenth Amendment, had a distance to go before they realized their full influence upon politics and policy.” In the end, though, many of the voting rights and civil rights activists realized that they had to build their own movement, cultivating a strong emergent leadership that included lawyers, politicians, and the first Black woman to serve as a priest in the Episcopal Church. The work continues today: Jones’ sharp chronicle closes with Stacey Abrams, the Georgia politician who wages a constant campaign against voter suppression meant to keep Black voters away from the ballot box.
Highly charged, absorbing reading and most timely in the era of renewed advocacy for civil rights.Pub Date: Sept. 8, 2020
ISBN: 978-1-5416-1860-2
Page Count: 352
Publisher: Basic Books
Review Posted Online: July 7, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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