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IT’S POWWOW TIME!

A tale of celebration crafted with lyrical language and rhythmic refrains.

A young Indigenous boy prepares for a special day.

Morning greets Bineshii as he rises, excited to dance at his first powwow. He gets ready, then heads to the ceremony with his family. Bineshii gathers his courage on the sidelines, tapping his fingers to the beat of the drum as new dance categories are introduced. He participates as a dancer at his own pace. With the support of his loving community, Bineshii discovers the confidence to learn new traditions. The day ends with Bineshii watching fireworks before going back home, proud of his accomplishments. Skillfully incorporating onomatopoeia, Troian (Lac Seul First Nation) brings to life the graceful movement and energy of a dancer. The drumbeat is established by phrases like “THUMP, THUMP, THUMP” and “weh ya heh ya ya.” As readers flip through the pages, excitement grows. Pichette’s (Mushkego Cree) rich illustrations are vibrant and dynamic with a unique shading technique that conveys action and elicits joy. Readers unfamiliar with powwows will find this a dynamic window into the experience; they’ll share Bineshii’s pleasure as the book draws to a close.

A tale of celebration crafted with lyrical language and rhythmic refrains. (author’s note) (Picture book. 4-8)

Pub Date: Sept. 10, 2024

ISBN: 9780063116665

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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