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ECHOES OF HEARTSOUNDS

A MEMOIR

A bittersweet mingling of previous life-changing events and present-moment illness by a skillful author.

The author’s journey “from the emotional storms…of widowhood to the astonishment of finding new love in my senior years, and on to the sudden cardiac crisis…that forced me, finally, to confront a past that I had never put wholly to rest.”

After Lear's (Where Did I Leave My Glasses?: The What, When, and Why of Normal Memory Loss, 2008, etc.) first husband died from a series of heart attacks, she detailed her struggle in her first book, the acclaimed Heartsounds (1980). What she didn't anticipate was that almost 30 years later, she would also experience a heart attack and wind up in the exact same hospital, in the same cardiac unit, with the same doctor, no less, as her husband. Lear provides rich, poignant details of her own attack, as well as her travels through the medical establishment from one test to another. The ghosts of those moments spent with her first husband in those same hospital hallways continually haunted her, and Lear leaned heavily on the past to help her cope with the often bewildering moments of the present. Her second husband was always by her side to assist in any way he could, and a host of nurses and doctors also helped out, attempting to understand why she had the attack and then contracted a serious staph infection, which caused her leg to become unbearably painful and unusable. However, as any patient knows, there is only so much a spouse, doctor or nurse can do, as sickness of any kind is a solitary journey. Lear maneuvers through the weeks she spent in the hospital with the adroitness of someone who's been down this road before.

A bittersweet mingling of previous life-changing events and present-moment illness by a skillful author.

Pub Date: Sept. 16, 2014

ISBN: 978-1-4976-4615-5

Page Count: 127

Publisher: Open Road Integrated Media

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: Aug. 1, 2014

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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