Thirty-odd essays—culled from a dozen years of published encounters between master stylist Amis (Time's Arrow, 1991, etc.) and English-speaking literati and other contemporary phenomena—in a collection as well-honed and readable as it is wide-ranging. In the title piece, a 1981 interview with Nabokov's widow in Montreaux, she appears as a distinctive yet private personality, fully engaged in the business of bolstering her late husband's literary reputation. Similar pilgrimages are conducted to Boston's Massachusetts General Hospital, for a chat with John Updike, to Monaco for an afternoon binge with the elusive Anthony Burgess, to V.S. Pritchett in London in order to marvel at his many decades of achievement, and to New York, in an unsuccessful search for Madonna on the publication of Sex. An amiable but keen-eyed raconteur, Amis reveals as much about himself as he does his subject, with impressions of the moment melded into insightful commentary on the author's work. The same is true when he turns to sports, whether accompanying a British soccer club led by owner Elton John on a junket to China, or witnessing the debut of 14-year-old Monica Seles at a tournament in Boca Raton. But his savage critical edge has its place here as well, and he skewers Madonna in her role as amoral media exploiter while painting an even grimmer portrait— from trips to the Pentagon and Washington think-tanks—of Reagan's doomsday gambit, the Star Wars program. Formulaic at times, and not always geared to an American reader, but still of much interest: excursions that will enhance Amis's reputation as a polished, peripatetic critic—a highly literate observer of the monuments and foibles of our age.
Pub Date: Feb. 9, 1994
ISBN: 0-517-59702-0
Page Count: 288
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1993
IN THE NEWS
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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