by Martin Cruz Smith ‧ RELEASE DATE: July 17, 1989
A Gorky Park sequel that finds Arkady Renko, disgraced Moscow cop-hero of that 1981 best seller, hiding out on a Russian factory ship (the Polar Star)—and up to his dour ears in an intricately textured but slow-drifting mess of murder, drug smuggling, and political intrigue. Tossed into a psychiatric ward for the "political unreliability" he evinced in Gorky Park, Arkady has escaped to Siberia and is now toiling on the "slime line" of a giant floating food-processing plant, part of a joint Soviet-US venture in the Bering Strait. When the stabbed body of female crew member Zina Patiashvili surfaces with the fishing nets, the ship's captain asks reluctant Arkady to investigate. Troubles crowd in at once: pressure from the Ship's political officer to declare the murder an accident or suicide; resentment by crews both Yank and Russian of Arkady's bulldogged questioning; a scary attempt by unknown assasilants on Arkady's life by locking him into a deep-freezer. A docking by the Polar Star at the American base of Dutch Harbor brings a second attempt and reveals a mortal enemy—Karp Korobetz, a hard-core criminal whom Arkady arrested for murder years before in Moscow and who now locks Arkady into a burning cabin. But fire proves no more fatal than ice to our hero, who busts out and who, as the Polar Star heads north into the ice pack, divides his time between hiding from Karp (most effectively, in the bed of American crew rep Susan Hightower); unraveling an espionage subplot; and digging out Zina's killer—not Karp, but one of Karp's Yank partners in a drug-smuggling conspiracy. Two violent deaths—one a bizarre suicide—climax the novel and lead to Arkady's professional and political redemption. As with Gorky Park, here it's the myriad glimpses of Soviet life that matter most: the Christmas-like wonder on the faces of Soviet sailors surveying electronic goods in an American store; the psychological insights ("Russian men saw themselves as wolves, lean and wild"), the details of food, talk, sex. But gone is the prequel's vigor and kink, and Arkady's charisma too: he's fully fleshed but tired, just like the mystery/suspense element. A distinguished chiller, then, but not a particularly enjoyable one—like good vodka gone warm.
Pub Date: July 17, 1989
ISBN: 0345498178
Page Count: 402
Publisher: N/A
Review Posted Online: Nov. 11, 2013
Kirkus Reviews Issue: June 15, 1989
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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