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RED SQUARE

Inspector Arkady Renko, banished to a Soviet factory-ship in Polar Star (1989), returns to Moscow on the eve of the Coup—and steps into the kind of intrigue, atmosphere, and excitement not seen from Smith since Renko's megaselling debut in Gorky Park (1981). The winds of glasnost may have blown the insubordinate Renko back from exile, but they've also stirred up the Soviet Union's criminal class, which now rules the land hand-in-crooked-hand with the Party's panicking elite—as shown in the mesmerizing opening scene that has Renko meeting with an informer at Moscow's thriving nighttime black market. Minutes after Renko exits the informer's car, it explodes under the impact of two bombs. Why? Renko pursues leads that take him on a spellbinding tour of Moscow (here, a starving city spinning out of control) as he encounters the new Soviet capitalism (a shady entrepreneur who, with green paint and cutout trees, has transformed a bullet-casing factory into an indoor golfing range); the new Soviet mafia (the Chechens, Muslim gangsters ruled by a withered devil named Makhmud); and the old, power-grasping rear guard. A mysterious fax sends Renko chasing a further lead abroad to Munich, where he reunites with Irina, his forsaken lover from Gorky Park. Here, the narrative slackens into a lovers' awkward waltz between Renko and Irina, and between Renko and the material temptations of the West—though it picks up with a sidetrip to Berlin, the ghastly murder of Makhmud, and revelations of stolen art treasures at the root of the killings. The action climaxes on a note of astonishing grace and hope back in Moscow, as Renko concludes his case and joins the radiant masses facing down the tanks on the steps of Boris Yeltsin's White House. A bit long and choppy, but brimming with political insight and psychological nuance, and a powerful reaffirmation of Renko's love/hate for Russia as one of the great romances of thriller fiction. (Literary Guild Dual Selection for December)

Pub Date: Nov. 1, 1992

ISBN: 0-679-41688-9

Page Count: 416

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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