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HOWARD ZINN

A LIFE ON THE LEFT

Recommended for readers already smitten with Zinn.

A star-struck biography of the prominent historian and activist.

Howard Zinn (1992–2010) is best known as the author of the controversial A People’s History of the United States (1979), written to counteract a perceived bias toward the wealthy and privileged in standard history textbooks by highlighting the contributions of those conventionally omitted. Though as unbalanced in one direction as Zinn felt the standard texts were in another, it has been widely influential in affecting the content of a whole generation of textbooks and course syllabi. Zinn presents a challenge for a biographer. During the 1960s, he worked courageously in the civil rights movement and against the Vietnam War; he was closely associated with such prominent figures as Stokely Carmichael, Tom Hayden and Daniel Ellsberg. His emotional life, however, is inaccessible; Zinn disliked discussing emotions and ruthlessly purged his archives of anything touching on feelings or relationships. Apart from an increasing attraction to anarchism, Zinn’s political philosophy never evolved much beyond the conventional socialism he adopted in adolescence. Nor did he move on from the issues of the ’60s to newer causes like women’s and gay rights or globalization. Throughout a long academic career, he confined himself to discussing racial and labor issues and opposing various American military interventions. Consequently, little remains to a biographer but a succession of demonstrations attended, books and articles written, and feuds with two college presidents. By way of context, prize-winning author Duberman (History Emeritus/CUNY Graduate School; A Saving Remnant: The Radical Lives of Barbara Deming and David McReynolds, 2011, etc.) includes summaries of contemporaneous American history presented from a tendentious leftist viewpoint. While Duberman may criticize some of Zinn’s writing as simplistic, one-sided or impractical, he clearly has no interest in challenging its fundamental political underpinnings.

Recommended for readers already smitten with Zinn.

Pub Date: Oct. 2, 2012

ISBN: 978-1-59558-678-0

Page Count: 352

Publisher: The New Press

Review Posted Online: Aug. 5, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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