An impassioned and erudite proposal for vast systemic changes.



A defense of democratic socialism, grounded in religion, philosophy, economics, and literature.

In a densely argued critique of religion and capitalism, philosopher Hägglund (Comparative Literature and Humanities/Yale Univ.; Dying for Time: Proust, Woolf, Nabokov, 2012, etc.) tackles thorny questions of value, freedom, and responsibility. Analyzing a wide range of thinkers—among others, Aristotle, Spinoza, Kierkegaard, Hegel, Marx, Martin Luther King Jr., John Rawls, Friedrich Hayek, and Thomas Piketty—Hägglund asserts that only secular faith and democratic socialism can “provide the institutional, political, and material conditions for spiritual freedom.” In the first part of the book, the author examines the social and moral consequences of belief in eternity, which he sees as central to religious faith. Believing that one’s soul transcends time leads to indifference to worldly events, immunity from grief or loss, and lack of care about the fates of others. God, Hägglund writes, “is completely irresponsible because he is not bound to anything other than himself.” Secular faith, on the other hand, is premised on an individual’s sense of moral responsibility and investment “in finite lives.” Personal attachments leave individuals open to suffering, but they offer “a positive chance of having a relation to others” and to developing and acting upon “an existential commitment—to a political transformation, a filial relation, an artistic creation, and so on.” The second part of the book focuses on an intensive examination of capitalism, which the author argues necessarily undermines individuals’ spiritual freedom and generates political and economic inequality. Neither a universal basic income nor redistribution of wealth “can free us from capitalist exploitation,” he asserts, “since only wage labor in the service of profit” supports the accumulation of wealth that fuels “the dynamic of capitalism.” In order “for democracy to be true to its own concept of freedom and equality,” he writes, “capitalism must therefore be overcome.” Freedom to act authentically, to make choices that support the common good, and to enhance the quality of our free time is fundamental to Hägglund’s argument in favor of democratic socialism.

An impassioned and erudite proposal for vast systemic changes.

Pub Date: March 5, 2019

ISBN: 978-1-101-87040-2

Page Count: 464

Publisher: Pantheon

Review Posted Online: Nov. 13, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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  • Rolling Stone & Kirkus' Best Music Books of 2020


The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor. One of Kirkus and Rolling Stone’s Best Music Books of 2020.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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