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THE HISTORY OF MONEY

FROM BARTERING TO BANKING

A thoughtful and entertaining story of how we got from trading a pig for a sack of rye to “Chapter Fifteen: In which we...

A snappy course in the evolution of exchange.

Jenkins is thorough but not so thorough as to make the dismal science dismal to his readers. He offers lively explanations for barter, then refinements on the bartering system and the moment when parties agreed upon a medium of exchange: wampum, gemstones—and gold, in all its luster, its malleability, its exquisiteness. From there, he takes readers to weights and measures; banks, black markets and usury; interest earned and interest paid; inflation and deflation; crashes and runs on banks. Maybe because there has been enough already, Jenkins steers clear of loan-sharking and what happens when you can’t pay your debt. It’s all related in a simple, colloquial style that will keep readers engaged: “Wouldn’t it be handy if you could swap your goat for something easy to keep and carry around and that everybody wanted?” The text is urged along by the fine illustrations of Kitamura, which sometimes hint at the old Johnny Hart comic strip “B.C.,” with its touch of subversive humor. Jenkins closes with a caution: “[T]here’s a danger that you start believing that buying and selling are the only important things in life”—how many economics textbooks include that?

A thoughtful and entertaining story of how we got from trading a pig for a sack of rye to “Chapter Fifteen: In which we discover how easy it is for money to disappear.” (author’s note, bibliography, index) (Nonfiction. 9-12)

Pub Date: Aug. 1, 2014

ISBN: 978-0-7636-6763-4

Page Count: 64

Publisher: Candlewick

Review Posted Online: June 24, 2014

Kirkus Reviews Issue: July 15, 2014

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THE LAST LAST-DAY-OF-SUMMER

From the Legendary Alston Boys series , Vol. 1

This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative,...

Can this really be the first time readers meet the Legendary Alston Boys of Logan County? Cousins and veteran sleuths Otto and Sheed Alston show us that we are the ones who are late to their greatness.

These two black boys are coming to terms with the end of their brave, heroic summer at Grandma’s, with a return to school just right around the corner. They’ve already got two keys to the city, but the rival Epic Ellisons—twin sisters Wiki and Leen—are steadily gaining celebrity across Logan County, Virginia, and have in hand their third key to the city. No way summer can end like this! These young people are powerful, courageous, experienced adventurers molded through their heroic commitment to discipline and deduction. They’ve got their shared, lifesaving maneuvers committed to memory (printed in a helpful appendix) and ready to save any day. Save the day they must, as a mysterious, bendy gentleman and an oversized, clingy platypus have been unleashed on the city of Fry, and all the residents and their belongings seem to be frozen in time and place. Will they be able to solve this one? With total mastery, Giles creates in Logan County an exuberant vortex of weirdness, where the commonplace sits cheek by jowl with the utterly fantastic, and populates it with memorable characters who more than live up to their setting.

This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative, thrill-seeking readers, this is a series to look out for. (Fantasy. 10-12)

Pub Date: April 2, 2019

ISBN: 978-1-328-46083-7

Page Count: 304

Publisher: Versify/HMH

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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LOUISA MAY'S BATTLE

HOW THE CIVIL WAR LED TO LITTLE WOMEN

An insightful glimpse into a key period in Alcott’s life and women in nursing.

During the Civil War, Louisa May Alcott served as a volunteer nurse, caring for Union soldiers in Washington, D.C., between December 12, 1862, and January 21, 1863. This well-researched biographical vignette explores the brief but pivotal episode in Alcott’s life.

An abolitionist, Alcott longed to fight in the Union Army, but she did her part by serving as a nurse. Alcott met the female nursing requirements: She was 30, plain, strong and unmarried. Krull describes her challenging solo journey from Massachusetts by train and ship and her lonely arrival in Washington at the “overcrowded, damp, dark, airless” hospital. For three weeks she nursed and provided “motherly” support for her “boys” before succumbing to typhoid fever, forcing her to return to Massachusetts. Krull shows how Alcott’s short tenure as a nurse affected her life, inspiring her to publish letters she sent home as Hospital Sketches. This honest account of the war earned rave reviews and taught Alcott to use her own experiences in her writing, leading to Little Women. Peppered with Alcott’s own words, the straightforward text is enhanced by bold, realistic illustrations rendered in digital oils on gessoed canvas. A somber palette reinforces the grim wartime atmosphere, dramatically highlighting Alcott in her red cape and white nurse’s apron.

An insightful glimpse into a key period in Alcott’s life and women in nursing. (notes on women in medicine and the Battle of Fredericksburg, sources, map) (Picture book/biography. 9-11)

Pub Date: March 5, 2013

ISBN: 978-0-8027-9668-4

Page Count: 48

Publisher: Walker

Review Posted Online: Oct. 23, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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