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DON'T SEND FLOWERS

A sort of Mexico Confidential, with noirish atmosphere to burn and a very high body count.

Crime novels don't get much grittier or more brutal than the second thriller by Solares (The Black Minutes, 2010), set in a contemporary northern Mexico that's a blood-soaked moonscape.

"This isn't a city anymore," a former colleague tells Carlos Treviño when the ex-cop returns to the corrupt, cartel-run coastal city of La Eternidad. "It's a...western." The teenage daughter of a wealthy industrialist has been kidnapped—an everyday occurrence here, given the vicious turf wars and power struggles that have emptied out the city, closed its clubs and restaurants, and left the streets filled with countless roadblock shakedowns and the burned-out husks of cars. But the girl's body hasn't been discovered, and there's been no demand for ransom. Might she still be saved? Though Treviño is a wanted man here, having crossed the police chief and his minions by being incorruptible, the reluctant detective gets coaxed back from his remote hideaway by the possibility of a gigantic paycheck. Meanwhile, Treviño's old police antagonist, the venal opportunist (and thus survivor) Chief Margarito González, is trying to feather his nest before retiring, and he'd love to exact revenge against Treviño on the way out. Solares' great gift here is for setting. He captures heart-wrenchingly the grim chaos and hopelessness of a country run by drug lords, smugglers, and the sleazy kleptocrats they own. Some readers may struggle with the machismo that dominates not only the city, but the novel, and in the second half especially, which focuses on Margarito's grafts within grafts and intrigues within intrigues, the plot and structure grow a bit too baroque and disorderly, but Solares keeps the pace high, the pages turning.

A sort of Mexico Confidential, with noirish atmosphere to burn and a very high body count.

Pub Date: Aug. 14, 2018

ISBN: 978-0-8021-2815-7

Page Count: 488

Publisher: Black Cat/Grove

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

Awards & Accolades

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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