A gentle introduction to transcendence, despite uneven execution.
In this self-help book, retired therapist, coach, and reiki master Faulkner explores how resilience, grief, compassion, energy, gratitude, and karma shape how people navigate their lives.
The author compares resilient people to willow or palm trees, simultaneously rooted and flexible, and grief as unexpressed love for something or someone lost. The book goes on to put grief into three categories: physical only (loss of objects), emotional only (loss of opportunities), and physical and emotional (death, divorce). The author reassures readers that “it’s okay to live with grief and to keep living.” Compassion, she says, bridges the gap between oneself and others, and it’s comprised of four components: perspective-taking, sympathy, empathy, and care. Energy is divided into two categories—kinetic (active) and potential (dormant); it affects one’s ability to put the best self forward and engage with the world, the author asserts. She encourages journaling, actively giving thanks, and practicing reflection to make feelings of gratitude more reflexive. The book also presents karma as a “Universal Law” of cause and effect; its patterns can be healed through prayer, mantras, and blessings, Faulkner says. The work concludes by contrasting “life by design” with “life by default” and encourages readers to live actively and deliberately. Overall, this is a thoughtful book that effectively invites readers to work toward greater self-awareness. The consistent chapter structure, with each involving “Who, What, When, Where, Why, and How” sections, makes the material easy to follow. The language can be convoluted at times (“A person who desires to be resilient, and isn’t willing to do the work, will end up in a constant cycle of chasing resilience, which ultimately undermines any resilience they may have already had, making it the one way resilience can actually fade or fail”); at other moments, it’s oddly stilted (“Grief is most commonly expressed through tears”). That said, Faulkner does offer some empowering lines along the way, such as “Who you choose to become is up to you,” and readers navigating loss will find concepts like “The Grief-Life Ratio” relatable and reassuring.
A gentle introduction to transcendence, despite uneven execution.Pub Date: Dec. 15, 2025
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Nov. 17, 2025
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
