A thoughtful, solidly researched biography of the wildly creative and iconoclastic yippie, portraying Hoffman as a fresh force in American political culture—and as a man ultimately sabotaged by bipolar disorder (manic-depression), which drove him to extremes and probably led to his suicide. In 1988, Jezer (the children's book Rachel Carson, 1978) ran into Hoffman in an airport. A veteran activist and countercultural journalist who'd known the famed radical from the early hippie days on the Lower East Side until the violent days on the streets of Chicago in 1968, Jezer embraced Hoffman and listened with growing unease as the time-battered yippie ranted on and on about how great everything was going. Hoffman would be dead the next year. From this almost Dostoyevskian image of a radical out of balance, consumed by his own raging misplaced energy (in this case, the hypomanic phase of bipolar disorder), Jezer traces Hoffman's early influences. From the time he was a middle-class Jewish teenager in Worcester, Mass., Hoffman loved to play the rebel street-fighting man. It was the famous humanist psychologist Abraham Maslow, his professor at Brandeis, however, who inspired Hoffman to conceive of political protest as a positive expression, a means of self- actualization. In the ``Yippie!'' movement, founded with Jerry Rubin, Hoffman sought to fuse the creativity and individualism of the counterculture with the righteous spirit of the antiwar movement. Here, Hoffman appears as his own best creation—half Lenny Bruce, half political shaman, throwing cash off the balcony of the New York Stock Exchange, trying to levitate the Pentagon, proclaiming himself a member of the ``Woodstock Nation,'' not a place but a beautiful, free state of mind. Hoffman—and a whole doomed, inspired era—emerges vividly in this cleareyed, richly detailed work. (Photographs—24 pages b&w- -not seen.)
Pub Date: Aug. 1, 1992
ISBN: 0-8135-1850-4
Page Count: 325
Publisher: Rutgers Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1992
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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