An entertaining drama that reaffirms the familiar adage that family and business don’t mix.
In Claud’s debut, a matriarch’s death triggers petty rivalries in a family business.
Even before Ward Mills CEO Dolly Ward passes away from cancer in 1988, Ted Brunson knows that the sun is slowly setting on the textile industry. For years, the family business in South Carolina has held its own among the “Big Five,” but global changes in the textile trade are slowly hitting home. Ted sees that the time has come for the company to be sold; the problem is that he’s an outsider, a Ward by marriage only. Although he’s the heir apparent to Dolly’s position, he might not have enough support from family board members who have other plans for the company. (The son of modest hardware-store owners, Ted is the titular “Dancin’ Man—a metaphorical toy easily manipulated by external circumstances.) To compound the situation, his marriage to Virginia Ward, Dolly’s only daughter, is on the rocks. Virginia also struggles as she tries to make peace with her past, including a strained mother-daughter relationship. Ted’s college friend, Virginia’s brother Sam, is about the only person who’s firmly on his side; years ago, Sam ignored Ted’s lack of blue blood and inducted his future brother-in-law to South Carolina high society. An assortment of other family members, including two Ward brothers that form part of the family’s “Atlanta contingent,” rounds out the cast. Claud’s descriptions of sprawling horse farms, languorous summer evenings and glimpses of Southern wealth (“The lawn rolled out before Ted glowing with the same emerald intensity as the fairways of the Fort Hill Country Club”) add delightful touches to this fast-paced narrative. Yet the story’s tight arc leaves some elements underexplored; it’s never clear, for example, what happens to Ted’s parents after he’s assimilated into the Ward clan. Also, an element of family scandal thrown in at the very end comes across as a tad disjointed and out of place. Nevertheless, this novel about the end of a way of life often makes for transporting reading.
An entertaining drama that reaffirms the familiar adage that family and business don’t mix.Pub Date: March 10, 2014
ISBN: 978-0988416499
Page Count: 282
Publisher: CreateSpace
Review Posted Online: May 20, 2014
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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