CIAO ITALIA FAMILY CLASSICS

MORE THAN 200 TREASURED RECIPES FROM THREE GENERATIONS OF ITALIAN COOKS

A primer for authentic Italian cooking from the host of the long-running PBS show Ciao Italia

Esposito (Caio Italia Five-Ingredient Favorites, 2009, etc.) returns with Italian recipes both familiar and unfamiliar; her section on sauces not only includes recipes for pesto and tomato sauce, but also Salmoriglio, a Sicilian sauce made with lemon and olive oil. The author provides a helpful resource for cooks wishing to deepen their knowledge of the principles behind Italian cooking, while simultaneously broadening their repertoire of Italian dishes. Esposito begins with an introduction to “Italian Pantry Basics,” a helpful encyclopedia of the ingredients that appear most often. Organized according to different main ingredients and rife with anecdotes, history and additional information about techniques, the book emphasizes local, seasonal and organic produce and meat. Even so, most ingredients can be easily found in any chain grocery store. Recipes range in difficulty but are clear and easy to follow. Readers who wish to use store-bought pasta are accommodated, as are those who want to try their hand at homemade Spinach Pasta. Most recipes are well within the range of a moderately experienced cook. Uncooked Cherry Tomato Sauce could easily be put together by a child, and Creamy Cauliflower Baked in a Mold, though requiring more skill, would undoubtedly make an impression at a dinner party. Complete, authoritative and accessible guide to Italian ingredients, cooking and cuisine. 

 

Pub Date: Nov. 1, 2011

ISBN: 978-0-312-57121-4

Page Count: 464

Publisher: St. Martin's

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 15, 2011

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?

WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

more