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A TREE FOR EMMY

Freckled, red-haired Emmy loves trees—her grandmother’s impressive mimosa in particular. She treasures its low branches, its fuzzy pink flowers and its rattling seedpods. Mai-Wyss’s vibrant watercolor-and-collage illustrations show Emmy swinging, dancing, dreaming and playing beneath the mimosa while lyrical text describes her admiration with playful humor. “That ol’ tree is a lot like you. Stubborn and strong and a little bit wild,” Gramma says. For her birthday, Emmy asks for a mimosa of her own, but the stores don’t sell wild trees, and she has to find another way to make one her own. The baby mimosa she discovers doesn’t have low branches, pink flowers and seedpods—at least not yet. What is a tree-loving tomboy to do? A spunky and independent heroine, a satisfying story and a gentle environmental message combine nicely here in an arboreal celebration that will delight many a young reader. A fine introduction to the pleasures of trees, well suited for group and home reading. (Picture book. 4-8)

Pub Date: March 1, 2009

ISBN: 978-1-56145-475-4

Page Count: 32

Publisher: Peachtree

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2009

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THE NIAN MONSTER

Ai ya—not the happiest New Year tale.

A little girl in Shanghai outwits a Lunar New Year monster.

Xingling is grocery shopping with her grandmother days before the Chinese New Year festivities are to begin. Curious about all the red decorations, she learns that once upon a time there was a very hungry monster who threatened villages. The monster, fortunately, had three fears—“loud sounds, fire, and the color red”—and the Chinese learned how to keep safe from it. Unfortunately, the monster, named Nian, soon appears in Shanghai very hungry and very unperturbed by ancient customs. Xingling cleverly finds three new, traditional means to defeat Nian: a bowl containing “the longest noodle in China” (which sends him snoozing), bony milkfish (which hurts his throat), and a rice cake made with very sticky rice (which glues his jaws together). Wang brings together traditional storytelling elements in her tale—three tasks and repetition of phrases—in this contemporary setting of a Chinese New Year story. However, the writing is pedestrian and will not hold up to multiple readings. The explanation that “nian” means either “year” or “sticky” comes only in the author’s note. Chau’s artwork is colorful but very busy; Xingling is drawn with giant, manga-style eyes, though the other Chinese characters have simple ink-dot eyes. Also, there is no mention of which year of the 12-year cycle is being celebrated.

Ai ya—not the happiest New Year tale. (Picture book. 4-7)

Pub Date: Dec. 1, 2016

ISBN: 978-0-8075-5642-9

Page Count: 32

Publisher: Whitman

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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WHEN LOLA VISITS

An extraordinary expression of Filipino culture and intergenerational familial bonds.

A child describes the smells, tastes, and feelings of their summer.

“How do I know summer is here?” For the child sharing their story, summer is the smell of stone fruit ripening and days with nothing to do. Summer really begins when their lola comes to visit and makes her special mango jam. Together, grandmother and grandchild play at the pool, go to the beach, and watch fireworks. Lola fills their days with the delicious smells and tastes of traditional Filipino food, like cassava cake and sisig. Summer blooms with happy memories of gathering fruit, fishing, cooking, and eating together. When Lola returns home, summer turns to chilly breezes and falling leaves, but Lola has one more surprise. This is a beautiful, tender expression of family and love that spans generations and great distances. Each moment is described as a smell or taste, which engages all of readers’ senses. The illustrations add so much life and context to the words, especially for the Filipino dishes. The bright colors and visible brush strokes add warmth and capture the feelings of summer. The family is Filipino, and all have brown skin, black hair, and black eyes. Lola speaks Tagalog and Ilocano.

An extraordinary expression of Filipino culture and intergenerational familial bonds. (Picture book. 4-8)

Pub Date: May 18, 2021

ISBN: 978-0-06-297285-9

Page Count: 40

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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