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THE AUTHORITY GAP

WHY WOMEN ARE STILL TAKEN LESS SERIOUSLY THAN MEN, AND WHAT WE CAN DO ABOUT IT

An important and hopeful reminder that much work is still needed in order to bridge unjust gaps between women and men.

An examination of “the mother of all gender gaps.”

London-based journalist Sieghart recounts how, while attending a conference, she sat next to a banker who inquired about her occupation. After she answered, he exclaimed, “Wow, you’re a busy little girl!” She was 50 at the time. This is just one of the many examples that the author offers as evidence that, despite some progress, women are still taken less seriously than men. Sieghart contends that women (and those who identify as women) are still routinely patronized by men, have their views ignored or their expertise challenged, are talked over by male colleagues, and have subordinates resist them as bosses. To further support her claims, the author provides details from research studies as well as interviews with numerous women who have held high-ranking positions. These include Madeleine Albright, Janet Yellen, Hillary Clinton, Michelle Bachelet, and Julia Gillard, who also provide firsthand accounts of their experiences. Sieghart examines the biases that many men (as well as women) have toward women, which are often “irrational and anachronistic product[s] of social conditioning and outdated stereotypes.” From an early age, she writes, “we absorb the notion that girls and women are designed to be ornamental and boys and men to be instrumental.” The author also contends that adults reinforce these stereotypes, often unwittingly, when they engage with children. To counteract this problem, she delivers meaningful and easily actionable suggestions for individuals and society. For example, Sieghart suggests that if fathers are more involved in raising their children, sons will “have a more egalitarian perspective” of women’s roles. Regarding schooling, the author shows how teachers can help increase the confidence of girls by encouraging them to speak up in class. She also implores journalists to resist devoting so much time to women’s appearances.

An important and hopeful reminder that much work is still needed in order to bridge unjust gaps between women and men.

Pub Date: Feb. 8, 2022

ISBN: 978-0-393-86775-6

Page Count: 384

Publisher: Norton

Review Posted Online: Nov. 3, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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FOOTBALL

A smart, rewarding consideration of football’s popularity—and eventual downfall.

A wide-ranging writer on his football fixation.

Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.

A smart, rewarding consideration of football’s popularity—and eventual downfall.

Pub Date: Jan. 20, 2026

ISBN: 9780593490648

Page Count: 304

Publisher: Penguin Press

Review Posted Online: Oct. 24, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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