A well-crafted, emotionally resonant tale for younger readers.
In this middle-grade novel, Atkinson tells the story of a young Salvadoran refugee acclimating to life in the United States.
War has come to the streets of San Salvador, El Salvador’s capital city, but Mario Zamora and his little brother, Nico, just want to act like normal kids. When a soldier in the street takes their soccer ball and slices it open with a knife, Mario is confused: “Why do they have to bother us like that?” he asks his father, a writer, later that day. “We’re only kids. We have nothing to do with the war. Why does there even have to be a war?” When soldiers burst in and arrest Mario’s dad in the middle of the night, the boys and their mother are forced to flee the country. Their plan is to head north through Guatemala and Mexico and into the United States. They soon learn that their father has been murdered by soldiers, his body left in a pile with those of other executed dissidents. As the family attempts to build a new life for themselves in Texas, Mario is haunted by what has happened, filled with a mix of anger and fear. His father left him a notebook with a letter, offering his advice on how to move forward. Mario isn’t interested in writing, but he does have a passion for drawing. In her debut work, Atkinson writes in a smooth, conversational prose that perfectly enlivens Mario’s first-person narration, capturing both his anxieties and excitements. With its quick pace and unflinching willingness to portray the horrors of the Salvadoran political situation, the novella makes for a compelling, if occasionally heavy, read. Along the way, the author successfully tracks the complex evolution of Mario’s inner landscape, including his attempts to deal with the trauma of his father’s loss, his responsibility toward his mother and brother, and his instincts as both a witness and a budding artist: as Mario’s new American identity shapes itself, he uses pictures to try to tell his own story.
A well-crafted, emotionally resonant tale for younger readers.Pub Date: N/A
ISBN: N/A
Page Count: 97
Publisher: Dog Ear Publisher
Review Posted Online: May 10, 2017
Kirkus Reviews Issue: July 1, 2017
Review Program: Kirkus Indie
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
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BOOK REVIEW
SEEN & HEARD
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