Balogh contravenes the conventions of historical romance by introducing an ingredient the genre is not always known for:...



A widowed noblewoman and a lord with middle-class antecedents engage in a decidedly unconventional courtship.

Lady Gwendoline, somewhat lame from a long-ago riding accident, sprains her ankle while taking an ill-advised shortcut up a seaside cliff, which just happens to be on the grounds of Penderris Hall, where the Survivors' Club, six Napoleonic war veterans and a widow, meets annually. One of these, Hugo, Lord Trentham, who earned his title as a reward for valor in a “Forlorn Hope” assault on the enemy, comes upon Gwen, and in his gruff, no-nonsense way carries her to Penderris. His companions had just been joking that Hugo, who has decided to take a wife, would propose to the first woman he met at the shore, and now their jibes prove prescient, for Gwen and Hugo are instantly drawn to each other, and in contravention of every rule of decency, consummate their love days later, in a way that Jane Austen may well have imagined but would never have put in writing. Both acknowledge the considerable impediments to a marriage between them. Hugo is solidly middle-class although he’s the inheritor of a substantial import/export fortune. Gwen bears tremendous guilt from her first marriage: Her husband, who suffered from manic depression, killed himself in front of her, not long after her miscarriage, a result of the aforementioned riding accident. Hugo also is tormented by conscience: The hopeless attack he led succeeded only at the cost of massive casualties. Moreover, only a middle-class wife could help Hugo find a suitably bourgeois match for his half-sister Constance. But Constance, with Gwen’s collaboration, aims to make her debut at balls and parties among London’s high society. Reluctantly assenting, Hugo also agrees to court Gwen in a genteel manner Austen would definitely endorse, even if it kills him.

Balogh contravenes the conventions of historical romance by introducing an ingredient the genre is not always known for: intelligence. 

Pub Date: May 1, 2012

ISBN: 978-0-385-34332-9

Page Count: 320

Publisher: Delacorte

Review Posted Online: April 16, 2012

Kirkus Reviews Issue: May 1, 2012

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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