This “Cinderella” reversal story seethes with desire, painted paradoxically in the watercolor prose that is the hallmark of...
An unloving heroine in reduced circumstances, an orphan hero, and the gift of unconditional acceptance.
Miss Camille Westcott has to undertake an emotional journey after leaving London in disgrace thanks to the recent discovery of her aristocrat father's bigamy. Living with her grandmother and sister in Regency-era Bath, the disenobled Camille is driven by an inexplicable need: to see the orphanage that once housed her newly discovered (and legitimate) half sister, Anastasia (once Anna Snow). On impulse, she then applies to be its resident teacher. Adding to her disconcerting new life is an initially thorny acquaintance with Joel Cunningham, a former orphanage resident–turned–portrait painter who volunteers there as an art instructor. Initially leery of each other because of Joel's affection for Anna, they learn that there is more to themselves than they realized. As their attraction takes hold, Camille discovers something else: how to engage with the family she has always had but kept at an emotional distance. Balogh's unique skill in casting an unromantic woman as the heroine of a romance is on full display as she unwraps the layers of reserve and years of privilege that made Camille so formidable and forbidding in the earlier novel in this family series (Someone to Love, 2016, etc.). Meanwhile, Joel has to learn that his painter's eye can be trusted to see more in her and in his own newly found lineage. While his surprise fortune feels a little too close to the plot of the previous Westcott novel, one can look past it to the richer drama of human intimacy. Likewise, the reappearance of a two-dimensional comic villain seems pat, but only a hardhearted reader will be dry-eyed at the characters who become Camille and Joel's family by the end.
This “Cinderella” reversal story seethes with desire, painted paradoxically in the watercolor prose that is the hallmark of this author.Pub Date: Feb. 7, 2017
ISBN: 978-0-451-47780-4
Page Count: 400
Publisher: Jove/Penguin
Review Posted Online: Dec. 26, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
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