This “Cinderella” reversal story seethes with desire, painted paradoxically in the watercolor prose that is the hallmark of...



An unloving heroine in reduced circumstances, an orphan hero, and the gift of unconditional acceptance.

Miss Camille Westcott has to undertake an emotional journey after leaving London in disgrace thanks to the recent discovery of her aristocrat father's bigamy. Living with her grandmother and sister in Regency-era Bath, the disenobled Camille is driven by an inexplicable need: to see the orphanage that once housed her newly discovered (and legitimate) half sister, Anastasia (once Anna Snow). On impulse, she then applies to be its resident teacher. Adding to her disconcerting new life is an initially thorny acquaintance with Joel Cunningham, a former orphanage resident–turned–portrait painter who volunteers there as an art instructor. Initially leery of each other because of Joel's affection for Anna, they learn that there is more to themselves than they realized. As their attraction takes hold, Camille discovers something else: how to engage with the family she has always had but kept at an emotional distance. Balogh's unique skill in casting an unromantic woman as the heroine of a romance is on full display as she unwraps the layers of reserve and years of privilege that made Camille so formidable and forbidding in the earlier novel in this family series (Someone to Love, 2016, etc.). Meanwhile, Joel has to learn that his painter's eye can be trusted to see more in her and in his own newly found lineage. While his surprise fortune feels a little too close to the plot of the previous Westcott novel, one can look past it to the richer drama of human intimacy. Likewise, the reappearance of a two-dimensional comic villain seems pat, but only a hardhearted reader will be dry-eyed at the characters who become Camille and Joel's family by the end.

This “Cinderella” reversal story seethes with desire, painted paradoxically in the watercolor prose that is the hallmark of this author.

Pub Date: Feb. 7, 2017

ISBN: 978-0-451-47780-4

Page Count: 400

Publisher: Jove/Penguin

Review Posted Online: Dec. 27, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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