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DREAMERS OF THE DAY

An inspired fictional study of political folly.

A remarkably vivid account of a woman’s accidental witness to history as she encounters Churchill and T.E. Lawrence in Cairo, where in 1921 they redrew the map of the Middle East.

Russell (Children of God, 1998, etc.) unites a dog-toting spinster touring the Holy Lands with a small but significant dot on history’s timeline, creating an analysis of our current troubles in Iraq. Agnes Shanklin, long dead and narrating from a disappointingly dull afterlife, lived an unremarkable existence until her late 30s, when the great influenza epidemic killed her mother and siblings. Left alone with an inheritance, Agnes makes an uncharacteristically impulsive decision: She books a tour to Egypt and the Holy Lands. With newly bobbed hair and gauzy dropped-waist dresses, former ugly duckling Agnes leaves America a fashionable woman of means. On her first day in Cairo, she and her dachshund Rosie are banned from their hotel but are saved by a chance meeting with T.E. Lawrence and redirected to the more dog-friendly Continental. There she meets Karl Weilbacher, a German-Jewish spy who falls for Rosie and charms Agnes. Agnes spends her holiday in two camps: She’s swept away on often dangerous excursions by Lawrence, Churchill and Gertrude Bell, and she engages in quiet, intelligent strolls with Karl the spy, eager to hear about Agnes’s new friends. Agnes is no fool. She knows Karl has more than a passing interest in the goings on at the conference, but she’s also a realist, and she sees no need to protect the interests of British imperialists. Anyway, this may be her last chance for love. At the end of the conference, arbitrary lines are drawn to create Iraq; Palestine is soon to be a Jewish homeland; and Karl rather presciently observes that “black seeds” are being sown. Russell triumphs on many levels: She crafts a solid interpretation of the event, creates in Agnes an engaging narrator and, in no small sense, offers a fine piece of travel writing as we follow Agnes down the Nile.

An inspired fictional study of political folly.

Pub Date: March 1, 2008

ISBN: 978-1-4000-6471-7

Page Count: 272

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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