During an incredibly hot summer in Baltimore early in the 20th century, nine-year-old Anna—from Anna All Year Round (1999)—is invited by her aunt and uncle to spend a week on their farm. She is especially delighted by the idea of escaping the city because it will give her equal bragging rights with friends who are going to the mountains or the seaside. In addition, although there is a deep, loving relationship between Anna and her parents, it is apparent that she is uncomfortable with some of the restrictions placed on her feisty and adventurous nature. After all, girls are expected to wear dresses, never get dirty, and stay home until they marry. During the eventful week on the farm Anna is exposed to more freedom than she has ever known. A challenging friendship with her uncle's orphaned nephew involves her in the world of boys' play. She wears overalls, catches fireflies, wades in a stream, rides a horse, and gets very dirty, all without serious repercussions. Hahn uses the direct present tense, a usually difficult style, deftly and with grace. The reader is drawn into Anna's world as she experiences it, allowing both a glimpse of a bygone era and a point of comparison to modern life. De Groat's expressive pencil illustrations depict several of the key moments in the story just as one would imagine them. Anna is a character filled with life and energy whose further adventures would be most welcome. (Fiction. 7-10)
Pub Date: March 19, 2001
ISBN: 0064411001
Page Count: 160
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
Fantasy training wheels for chapter-book readers.
Elliot’s first day of school turns out to be more than he bargained for.
Elliot Eisner—skinny and pale with curly brown hair—is a bit nervous about being the new kid. Thankfully, he hits it off with fellow new student, “punk rock”–looking Uchenna Devereaux, a black girl with twists (though they actually look like dreads in Aly’s illustrations). On a first-day field trip to New Jersey’s Pine Barrens, the pair investigates a noise in the trees. The cause? A Jersey Devil: a blue-furred, red-bellied and -winged mythical creature that looks like “a tiny dragon” with cloven hooves, like a deer’s, on its hind feet. Unwittingly, the duo bonds with the creature by feeding it, and it later follows them back to the bus. Unsurprisingly, they lose the creature (which they alternately nickname Jersey and Bonechewer), which forces them to go to their intimidating, decidedly odd teacher, Peruvian Professor Fauna, for help in recovering it. The book closes with Professor Fauna revealing the truth—he heads a secret organization committed to protecting mythical creatures—and inviting the children to join, a neat setup for what is obviously intended to be a series. The predictable plot is geared to newly independent readers who are not yet ready for the usual heft of contemporary fantasies. A brief history lesson given by a mixed-race associate of Fauna’s in which she compares herself to the American “melting pot” manages to come across as simultaneously corrective and appropriative.
Fantasy training wheels for chapter-book readers. (Fantasy. 7-10)Pub Date: April 10, 2018
ISBN: 978-0-7352-3170-2
Page Count: 192
Publisher: Dutton
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fact and fiction dovetail neatly in this tale of a wonderfully resolute child who finds a memorable way to convince her father that the newly-finished Brooklyn Bridge is safe to cross. Having watched the great bridge going up for most of her young life, Hannah is eager to walk it, but despite repeated, fact-laced appeals to reason (and Hannah is a positive fount of information about its materials and design), her father won’t be moved: “No little girl of mine will cross that metal monster!” Hannah finally hatches a far-fetched plan to convince him once and for all; can she persuade the renowned P.T. Barnum to march his corps of elephants across? She can, and does (actually, he was already planning to do it). Pham places Hannah, radiating sturdy confidence, within sepia-toned, exactly rendered period scenes that capture both the grandeur of the bridge in its various stages of construction, and the range of expressions on the faces of onlookers during its opening ceremonies and after. Readers will applaud Hannah’s polite persistence. (afterword, resources) (Picture book. 7-10)
Pub Date: Oct. 1, 2004
ISBN: 0-689-87011-6
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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