Feliz again delivers a well-written, immensely likable story that can stand alone, although readers will want to read...
In this Bay Area cozy, a body in the freezer and a friend in jail throw a professional organizer’s life into disarray.
In Feliz’s (Scheduled to Death, 2017, etc.) latest Maggie McDonald mystery, Maggie again must clean up a murder mess, this time before she assists friends Stephen Laird and Jason Mueller in organizing and storing the couple’s stuff prior to a home remodel. Police detective Jason is out of state with a rapid-response team of officers the morning Maggie and Stephen are to meet at the home to strategize a packing plan. But when Maggie arrives, the always-punctual retired Marine isn’t there, and his beloved mastiff, Munchkin (who’s Maggie’s golden retriever’s BFF), eventually limps home solo, bloodied but able to recover. Maggie learns Stephen is in jail, charged with the murder of Mr. Xiang, whose body was discovered in the freezer of his restaurant. Cops found Stephen at the scene, wiping down tables. In Jason’s absence, Stephen will only talk to Maggie. She realizes he’s protecting Xiang’s employee, Rafi Maldonado, an undocumented teenager who was home-birthed in the U.S. The night of the murder, Stephen and Munchkin intervened when assailants were beating Rafi, only to be pounded themselves by the thugs who’d killed Xiang. Because he didn’t want Rafi connected to the murder, Stephen gave him his car keys and erased the teen’s fingerprints from the scene. Now, instead of systemizing toss/donate/keep piles, Maggie must prove Stephen is innocent and Rafi is legal. Perhaps one of the homeless people Xiang and Rafi regularly fed behind the restaurant witnessed the beatings? After previously solving murders in the series, recent transplants Maggie and her family are now mainstays in the upscale community filled with diverse, colorful characters. But now, with concern and compassion, Feliz has Maggie delve into the problems of homeless, poor, and immigrant populations. Yet in spite of societal concerns and murder, the tone of this well-written book is hopeful, occasionally playful. Feliz writes confidently, having done her homework on such things as immigration legal issues and even how to breeze through jailhouse metal detectors (carry your passport, keys; don’t wear jewelry, zippers, or an underwire bra).
Feliz again delivers a well-written, immensely likable story that can stand alone, although readers will want to read previous books in the series.Pub Date: July 4, 2017
ISBN: 978-1-60183-668-7
Page Count: 216
Publisher: Kensington
Review Posted Online: July 28, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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