by Mary Feliz ‧ RELEASE DATE: July 4, 2017
Feliz again delivers a well-written, immensely likable story that can stand alone, although readers will want to read...
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In this Bay Area cozy, a body in the freezer and a friend in jail throw a professional organizer’s life into disarray.
In Feliz’s (Scheduled to Death, 2017, etc.) latest Maggie McDonald mystery, Maggie again must clean up a murder mess, this time before she assists friends Stephen Laird and Jason Mueller in organizing and storing the couple’s stuff prior to a home remodel. Police detective Jason is out of state with a rapid-response team of officers the morning Maggie and Stephen are to meet at the home to strategize a packing plan. But when Maggie arrives, the always-punctual retired Marine isn’t there, and his beloved mastiff, Munchkin (who’s Maggie’s golden retriever’s BFF), eventually limps home solo, bloodied but able to recover. Maggie learns Stephen is in jail, charged with the murder of Mr. Xiang, whose body was discovered in the freezer of his restaurant. Cops found Stephen at the scene, wiping down tables. In Jason’s absence, Stephen will only talk to Maggie. She realizes he’s protecting Xiang’s employee, Rafi Maldonado, an undocumented teenager who was home-birthed in the U.S. The night of the murder, Stephen and Munchkin intervened when assailants were beating Rafi, only to be pounded themselves by the thugs who’d killed Xiang. Because he didn’t want Rafi connected to the murder, Stephen gave him his car keys and erased the teen’s fingerprints from the scene. Now, instead of systemizing toss/donate/keep piles, Maggie must prove Stephen is innocent and Rafi is legal. Perhaps one of the homeless people Xiang and Rafi regularly fed behind the restaurant witnessed the beatings? After previously solving murders in the series, recent transplants Maggie and her family are now mainstays in the upscale community filled with diverse, colorful characters. But now, with concern and compassion, Feliz has Maggie delve into the problems of homeless, poor, and immigrant populations. Yet in spite of societal concerns and murder, the tone of this well-written book is hopeful, occasionally playful. Feliz writes confidently, having done her homework on such things as immigration legal issues and even how to breeze through jailhouse metal detectors (carry your passport, keys; don’t wear jewelry, zippers, or an underwire bra).
Feliz again delivers a well-written, immensely likable story that can stand alone, although readers will want to read previous books in the series.Pub Date: July 4, 2017
ISBN: 978-1-60183-668-7
Page Count: 216
Publisher: Kensington
Review Posted Online: July 28, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
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by Mary Feliz
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Zoë Perry
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