by Mary Finch ; illustrated by Kate Slater ‧ RELEASE DATE: Oct. 1, 2013
Though this has its moments, Paul Galdone’s version (with or without story CD) is still the benchmark.
This serviceable retelling of the classic tale is made different by an added scene of redemption, colorful collage art and a story CD narrated by Debra Messing.
In this adaptation, the little red hen’s lazy companions are the rooster and the mouse. When she finds a grain of wheat, she plants it, waters it, harvests it and so on, requesting help each time. The familiar refrain, “Not I,” repeats throughout. The typeface is playful and bouncy, but unfortunately, it is hard to distinguish commas from periods. Given the minimal story structure, the one misstep in sequence seems confusing: The hen asks for assistance kneading the dough and is then said to be kneading the dough “again,” without, apparently, having kneaded it beforehand. The illustrations, made in collage and paper cuts, have a three-dimensional effect and invite inspection. Indeed, youngsters will need to pore over them to catch the subtle changes in the characters’ expressions: After being refused aid so many times, the hen’s eyelids droop; when denied bread, the rooster’s sagging eyelids communicate his dismay. The story concludes with the lesson learned. The next time the hen finds a grain of wheat, rooster and mouse know what to do.
Though this has its moments, Paul Galdone’s version (with or without story CD) is still the benchmark. (recipe) (Picture book/folk tale. 3-6)Pub Date: Oct. 1, 2013
ISBN: 978-1-84686-575-6
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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adapted by Mary Finch ; illustrated by Martina Peluso
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adapted by Mary Finch & illustrated by Roberta Arenson
by Jane Cabrera & illustrated by Jane Cabrera ‧ RELEASE DATE: Aug. 15, 2012
A nursery charmer.
A pink-cheeked version of a song most everyone knows, with new verses highlighting cozy animal dyads across the world.
The bright yellow and red owlet with its parent opens the lullaby with the verse we all know. Next a papa deer and fawn in the forest, a whale and calf in the sea, a kangaroo and joey in the outback, vulture and chick and so on, each filling a two-page spread. The verse mirrors the pictures: “Glisten, glisten, little star, / how I wonder what you are. / Up above the grassy plain …” shows a papa lion and cub, and on the next spread—“…through the warm, wet jungle rain”—a pair of rosy-cheeked monkeys. The five-pointed, butter-gold star is prominently visible on every spread. Color and line are thick and bold, while all of the animals, from polar bears to pussy cats, have button eyes and the suggestion of human smiles. The final verse (“Twinkle over towns and trees, / fields and farms, / Lakes and seas”) shows just such a vista, with lollipop trees, a building-block city and a little red lighthouse. The concluding spread, “Twinkle, twinkle, up above … // … for me and for / the one I love” pictures that bright star on one page facing a golden-haired mother and child. The music for this venerable tune is on the back endpaper.
A nursery charmer. (Picture book. 3-6)Pub Date: Aug. 15, 2012
ISBN: 978-0-8234-2519-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
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by Jane Cabrera ; illustrated by Jane Cabrera
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by Jane Cabrera ; illustrated by Jane Cabrera
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by Jane Cabrera ; illustrated by Jane Cabrera
by Jess Hong ; illustrated by Jess Hong ‧ RELEASE DATE: Oct. 1, 2017
“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one...
Beauty is said to be in the eye of the beholder, and this book encourages readers to regard everyone as “lovely.”
In today’s world, with increasingly evident diversity in race, ethnicity, gender expression, sexuality, fashion, body shape, abilities, and choices about everything, the author/illustrator presents people of every description in the bold, brightly colored digital illustrations. Opposites are introduced: “black” for a white young woman clad in black and “white” for a young-looking, brown-skinned woman with flowing white hair. “Simple” appears on a tattooed white arm, along with a few designs, while “complex” is written on a brown arm, with what appear to be elaborate mehndi designs (henna designs applied before a South Asian wedding). A white baby is “soft,” and an older white woman with purple hair, a spiked denim jacket and choker, a nose ornament, and many ear decorations is “sharp.” A “tall” person with Asian features walks a small dog. A “short” smaller, light-brown–skinned male with green hair has a large dog. A gay interracial male couple face an adoring dark-brown–skinned child and mom. These pages read: “Lovely is you. / Lovely is me.” The last double-page spread includes young and old: a white woman in a wheelchair (there is one amputee with a modern prosthetic leg earlier in the book), a goateed man in a bustier, and others of various colors and sizes.
“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one brown eye! A simple book with lots of truth. (Picture book. 3-6)Pub Date: Oct. 1, 2017
ISBN: 978-1-939547-37-8
Page Count: 32
Publisher: Creston
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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