This pourquoi tale that explains some of the aspects of the seasonal changes and the reason for rain makes a nice complement...
Venturing past Disney princesses, here is Ibura, Brazilian Princess of the Springs.
Published as a beginning reader for children who have had some practice, this tale is adapted from one found in a Web-based collection with no further attribution. The vocabulary has been simplified, but the content has not been substantially changed. Ibura is the daughter of the Giantess of the Great River and the Moon Giant. She in turn marries the Sun Giant (amusingly pictured as a little shorter than his new spouse). Ibura insists on her freedom to spend three months each year with her mother. When her baby is born, the Sun Giant refuses to let the infant boy go with his mother; when Ibura’s return is delayed, he marries another wife and abandons the child, until Ibura can return to rescue him. The characters are mythical, but they also have human qualities. There is no information about the specific cultural origins of the story beyond the Amazon (Great River) connections. The stylized illustrations are executed in acrylics and graphite, and the full-bleed double-page spreads are quite attractive for an early reader, though the small type is occasionally hard to make out against the backgrounds.
This pourquoi tale that explains some of the aspects of the seasonal changes and the reason for rain makes a nice complement to Persephone’s story . (Early reader/folk tale. 6-8)Pub Date: Oct. 1, 2014
ISBN: 978-1-78285-101-1
Page Count: 48
Publisher: Barefoot Books
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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