Gaitskill’s willingness to ignore common wisdom and consider controversial and complex questions from different viewpoints...
This insightful fictional take on a #MeToo scandal offers fresh perspectives and avoids easy answers.
The #MeToo movement is arguably not known for nuance; common narratives often portray victims, villains, and little in between. In her novels, essays, and short stories, however, Gaitskill (Somebody With a Little Hammer, 2017, etc.) frequently explores the shaded contours and subtle seesaws of sexual power dynamics and conjures complex characters that resist our urge to fit them into delineated categories of morality and culpability. In this novella, originally published on the New Yorker's website, Gaitskill introduces two characters swept up—one directly and one indirectly—in a could-have-been-ripped-from-the-headlines #MeToo moment and, in brief, alternating chapters, allows them to tell their own stories. Quin is an elegant, eccentric, well-connected New York book editor who, although married to a beautiful fashionista and the father of a precocious daughter, enjoys engaging with women he meets, at work and elsewhere, intimately and sexually—toying with them, his friend Margot suggests, in a “vaguely sadistic” yet ultimately harmless way. But is it harmless? Are the women emphatically victims and Quin the culprit? And if so, is the punishment Quin is facing—losing his career and social standing—commensurate with his crime? Margot, who rebuffed Quin’s sexual advance early in their long friendship, before she acquired her own publishing-world power, believes the young women who have accused Quin of wrongdoing were, at least in some cases, willing participants in and beneficiaries of Quin’s sexual game-playing and that he does not deserve to be punished so harshly. Is Margot correct, or is her judgment clouded by friendship? Does she herself deserve disdain as an enabler? Gaitskill provides room for readers to disagree, ultimately raising more questions than answers. “The best story is one that reveals a truth,” Quin asserts, “like something you see and understand in a dream but forget as soon as you wake up.” The indefinite article is everything there. In this novella, Gaitskill reveals two truths—Quin’s and Margot’s—and reminds us that the truth can be painfully elusive.
Gaitskill’s willingness to ignore common wisdom and consider controversial and complex questions from different viewpoints is a true literary pleasure.Pub Date: Nov. 5, 2019
ISBN: 978-1-524-74913-2
Page Count: 96
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
PERSPECTIVES
Novels such as this extensively researched and passionate polemic are not necessarily art, but, like Sinclair Lewis’ The...
A day at a Mississippi abortion clinic unfurls backward as a self-appointed avenging angel wreaks havoc.
Picoult’s latest takes the unusual tack of proceeding in reverse. At 5 p.m., the Center, Mississippi’s last remaining abortion clinic, is awash in blood as Hugh McElroy, a Jackson police negotiator, is still bargaining with George Goddard, the deranged gunman who has occupied the Center for hours. Five hostages have been released, two gravely wounded: Hugh’s sister, Bex, and Dr. Louie Ward, the Center’s surgeon (whom, according to her author’s note, Picoult based on the outspoken abortion provider Dr. Willie Parker). One person inside is dead, and Hugh is still waiting for word of his teenage daughter, Wren, who had gone to the Center for a prescription for birth control pills, accompanied by her aunt Bex. As the day moves backward, several voices represent a socio-economic cross-section of the South; a few are on the front lines of the anti-abortion vs. abortion-rights war—but most are merely seeking basic women’s health care. Olive, 68, is at the Center for a second opinion; Janine, an anti-abortion activist, is there to spy; Joy is seeking an abortion; and Izzy is pregnant and conflicted. George wants revenge—his daughter recently had an abortion. A third father-daughter story runs parallel to the hostage crisis: A teenager named Beth, hospitalized for severe bleeding, is being prosecuted for murder after having taken abortifacient drugs she'd ordered online at 16 weeks pregnant. At times, Picoult defaults to her habitual sentimentality, particularly in describing the ties that bind Hugh, Wren, and Bex. This novel is unflinching, however, in forcing readers to witness the gory consequences of a mass shooting, not to mention the graphic details of abortions at various stages of gestation and the draconian burdens states like Mississippi have placed on a supposed constitutional right. For Dr. Ward, an African-American, “the politics of abortion” have “so much in common with the politics of racism.” The Times Arrow– or Benjamin Button–like backward structure adds little except for those ironic tinges hindsight always provides.
Novels such as this extensively researched and passionate polemic are not necessarily art, but, like Sinclair Lewis’ The Jungle, they are necessary.Pub Date: Oct. 2, 2018
ISBN: 978-0-345-54498-8
Page Count: 384
Publisher: Ballantine
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Very slow off the mark, though once blackmail and murder enter the picture, Scottoline moves things along with her customary...
In Scottoline’s latest family-centered thriller (Accused, 2013, etc.), Jake Buckman lets son Ryan drive the family car on a back road. Very bad idea.
The car hits someone, and she’s dead. Faced with the prospect of his teenager’s life being ruined, Jake tells him to get back in the car, and they drive away. “[D]on’t tell Mom,” Jake warns; he loves his wife, but Pam has the personality you’d expect of a superior court judge (judgmental), and their marriage is still recovering from Jake’s decision to start his own business, which has made him a mostly absentee husband and father. He’s now “one of the top-ten ranked financial planners in southeastern Pennsylvania,” though his planning skills aren’t evident as Jake ineptly tries to cover their tracks. He also has a terrible time keeping his son from confessing once they learn that the dead girl is Ryan’s high school classmate Kathleen Lindstrom. It takes more than 100 pages for the plot to involve anything other than Jake’s nerves, Pam’s suspicions and Ryan’s guilty wails, all of which are believable but not very interesting. Sleazy blackmailer Lewis Deaner livens things up, especially after he turns up murdered. If the police find those cellphone pictures Deaner had of Jake and Ryan at the scene of the crime, Jake will be a suspect. And once Ryan has blurted out the truth to his mother, furious Pam might be just as happy to see Jake in jail. The killer’s identity isn’t much of a surprise, since he’s the only character with any individual traits apart from the Buckmans and the cops, but the final twist comes out of nowhere, 10 pages from the end.
Very slow off the mark, though once blackmail and murder enter the picture, Scottoline moves things along with her customary professionalism, if scant credibility.Pub Date: April 8, 2014
ISBN: 978-1-250-01009-4
Page Count: 352
Publisher: St. Martin's
Review Posted Online: March 1, 2014
Kirkus Reviews Issue: March 15, 2014
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