by Mary Hershberger ‧ RELEASE DATE: May 2, 2016
An engrossing combination of historic renovation, memoir, and literary and religious history.
Restoring a home serves as an extended metaphor for understanding decades-old family dysfunction, informed by Mennonite influences, in this debut memoir.
Hershberger, a retired English teacher, was no stranger to renovation or restoration when her Realtor contacted her about the Roberts house, about to be listed in Syracuse, New York. But the author, after being involved in 20 such projects, had just downsized to a three-bedroom bungalow that she intended to be carried out of in a box, and claimed no interest in “doing” another house. Furthermore, the Roberts domicile had little to recommend itself—architecturally unappealing, moldering, and derelict, all at an asking price that topped the neighborhood’s comparable dwellings. Despite these disincentives, Hershberger was inexplicably drawn to the house and embarked on the renovation of a lifetime, made more exacting by her determination that this would be her own home. The divorced mother of three was brought up by a Mennonite minister and teacher so miserable with their own lives that three of their four children were so psychically scarred that they could barely function in the real world. Hershberger worked through many of these issues, along with her own failed marriage, interest in the history of the Amish and Mennonites, and other literary and intellectual issues, during long hours of paint stripping and wallpaper peeling. Alternating with the room-by-room accounts of the restoration are memories of her childhood or stories of her relationship with her parents in adulthood. Most of the transitions are seamless, but at times, the memoir aspect overwhelms the far more appealing accounts of home improvement. While Hershberger repeatedly discusses her mother’s dissatisfaction and bitterness, as well as her father’s penuriousness, her claims that her parents’ marital dysfunction resulted in her siblings’ mental illness are not well supported (indeed, her only consultation with an outside authority occurs late in the narrative, when she discusses reading Peter D. Kramer’s Listening to Prozac). Nevertheless, readers should enjoy the fun parts of the book—house porn at its best, interspersed with inspiring quotes (for example, Emily Dickinson’s “To comprehend a nectar requires the sorest need”), and anecdotes about Mennonitism.
An engrossing combination of historic renovation, memoir, and literary and religious history.Pub Date: May 2, 2016
ISBN: 978-0-578-18031-1
Page Count: 208
Publisher: Cottonwood Press
Review Posted Online: July 4, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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