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VELVET

Intriguing, savory Victorian chiller.

A Victorian teen becomes dangerously ensnared in the sinister world of a fraudulent medium in this well-constructed, thoroughly researched tale set in London in 1900.

A “quick and intelligent girl” with no family to support her, Velvet works long hours under dreadful conditions at Ruffold’s Steam Laundry. A year ago, Velvet’s drunken, abusive father fell into the river while chasing her, and she did nothing to save him. Guarding her guilty secret, Velvet abandoned her old life and childhood beau, fled to London and changed her name. When the famous clairvoyant Madame Savoya hires Velvet, she’s thrilled to live in Madame’s posh house and quickly develops a crush on Madame’s handsome assistant, George. Initially grateful and in awe of Madame’s seemingly incredible ability to communicate with spirits of the dead and bring comfort to grieving survivors, Velvet gradually discovers Madame’s skills are not all they appear to be. By including descriptions of Madame’s private sessions with individual clients, Hooper clues readers in to Madame’s fraudulent schemes long before Velvet realizes the appalling truth. Vulnerable and credible, Velvet tries to expose Madame, but not before a shocking revelation. Packed with fascinating period details about the Victorian spiritualist craze, Hooper’s suspenseful tale delivers authentic characters, bizarre encounters, plot twists and romance.

Intriguing, savory Victorian chiller. (author’s note; historical notes; bibliography) (Historical fiction. 12 & up)

Pub Date: Nov. 13, 2012

ISBN: 978-1-59990-912-7

Page Count: 336

Publisher: Bloomsbury

Review Posted Online: Sept. 11, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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KENT STATE

A well-researched and deeply moving portrait of an iconic moment in U.S. history.

A free-verse treatment of the killing of four college students during campus protests over the Vietnam War.

College campuses were often flashpoints in the struggle against the United States’ involvement in the Vietnam War. In May 1970, protestors at Kent State University in Ohio were met by the Ohio National Guard, culminating in the deaths of four unarmed college students and injuries to nine others. The university and the small town surrounding it were all affected by the escalating tensions and disagreement over how to handle the issues. The governor’s strict approach was welcomed by some but resisted by many on campus. Each of the deceased students is described in detail, including how they came to be in the line of fire. Readers hear from a guardsman and a town resident as well as students, their voices showing how perspectives differed depending on individuals’ roles. Especially compelling are the words of Black students, many of whom stayed away from the demonstration, believing, correctly, that the guardsmen had live ammunition. The structure serves to re-create the taut atmosphere of the days leading up to the tragedy, and various perspectives are represented by different fonts and typeface, furthering the sense of polarization. The extensive author’s note extends the narrative, engaging readers in the author’s process and the story’s impact.

A well-researched and deeply moving portrait of an iconic moment in U.S. history. (Verse novel. 12-18)

Pub Date: April 21, 2020

ISBN: 978-1-338-35628-1

Page Count: 144

Publisher: Scholastic

Review Posted Online: Jan. 18, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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