In 1826, searching for a suitable gift for the king of France, Egypt's pasha happily seizes on the suggestion of a stable boy, Abdul, that he send his giraffe. With Abdul as his affectionate keeper, the creature creates a national sensation as he makes his way from Marseilles to the king's chateau at Saint-Cloud: Towns rename streets, dressmakers and milliners create new fashions, poets write ``long, thin poems,'' and admiring crowds gather along the route. The awestruck king delights Abdul by inviting him to stay on as keeper of the whole Royal Menagerie. In rich colors, softened edges, and subdued light reminiscent of Uri Shulevitz's The Treasure (1979), Poulin's oil paintings- -ranging from half-pages to wordless full spreads—show an interpretation of this historic event that is suffused with tongue- in-cheek charm; the calm, dignified giraffe towers with an indulgent air over excited, gnomish human figures, and the artist suggests an appropriate imaginary monument in the final scene: a giraffe's head built atop the Eiffel Tower. Nancy Milton's The Giraffe That Walked To Paris (1992) commemorates the same incident; while she, too, employs invented dialogue, the Colliers's first collaboration is a somewhat longer, more elaborately illustrated account. (Picture book. 8-10)

Pub Date: April 1, 1996

ISBN: 0-689-80679-5

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1996

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McDonald’s irrepressible third-grader (Judy Moody Gets Famous, 2001, etc.) takes a few false steps before hitting full stride. This time, not only has her genius little brother Stink submitted a competing entry in the Crazy Strips Band-Aid design contest, but in the wake of her science teacher’s heads-up about rainforest destruction and endangered animals, she sees every member of her family using rainforest products. It’s all more than enough to put her in a Mood, which gets her in trouble at home for letting Stink’s pet toad, Toady, go free, and at school for surreptitiously collecting all the pencils (made from rainforest cedar) in class. And to top it off, Stink’s Crazy Strips entry wins a prize, while she gets . . . a certificate. Chronicled amusingly in Reynolds’s frequent ink-and-tea drawings, Judy goes from pillar to post—but she justifies the pencil caper convincingly enough to spark a bottle drive that nets her and her classmates not only a hundred seedling trees for Costa Rica, but the coveted school Giraffe Award (given to those who stick their necks out), along with T-shirts and ice cream coupons. Judy’s growing corps of fans will crow “Rare!” right along with her. (Fiction. 8-10)

Pub Date: Aug. 1, 2002

ISBN: 0-7636-1446-7

Page Count: 160

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2002

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For shark fanciers, a look at a Los Angeles Natural History Museum exhibit, Sharks: Fact and Fantasy. Now touring the country, it includes models of large and small sharks, many of them swimming in simulated undersea settings. The text follows a group of young museum-goers as they examine shark teeth, fossil sharks, sharks in art, and a living shark embryo; shark anatomy, special adaptations, types of sharks, and some shark facts are also included. Photos are clear, colorful and engaging. Not comprehensive, but an attractive added purchase. Pronunciation guide; additional reading; index. (Nonfiction. 8-10)

Pub Date: Sept. 23, 1991

ISBN: 0-395-57560-5

Page Count: 48

Publisher: Clarion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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