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AN UNQUENCHABLE THIRST

FOLLOWING MOTHER TERESA IN SEARCH OF LOVE, SERVICE, AND AN AUTHENTIC LIFE

Johnson’s portrayal of her time as a nun is likely to be controversial; her memoir is exceptional.

Beautifully crafted memoir of one woman’s experience in Mother Teresa’s order, the Missionaries of Charity.

Early on, Johnson compares prayer to immersion in water: “I could close my eyes and float on the river of God’s Love almost at will.” Readers, too, will find themselves transported into another world by this powerful, revealing memoir. An aspirant to the Missionaries of Charity at age 19, the author spent 20 years living a life both extraordinarily simple and heart-wrenchingly complex. Johnson skillfully demonstrates this juxtaposition through her writing—mundane events, such as gathering eggs or learning to play the piano, often have tragic or miraculous implications. As she progressed in the order and became Sister Donata, the issues she faced became darker: a sexually predatory subordinate, theological disputes, an increasingly rigid system of rules and regulations and a love affair with a priest. Throughout the book, the author describes her interactions with Mother Teresa, but she does not try to pass off their relationship as especially close, but instead describes their time together with honesty and telling detail. She writes about a nun who got tired and hungry, became frustrated and disappointed, and liked candy—Mother Teresa actually emerges as a fairly normal person rather than a saintly archetype. As it became increasingly clear to Johnson that the Missionaries of Charity’s vision and management were diverging from her own beliefs and values, she struggled with her place in the order and eventually made the decision to leave after two decades of service.

Johnson’s portrayal of her time as a nun is likely to be controversial; her memoir is exceptional.

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-52747-7

Page Count: 544

Publisher: Spiegel & Grau

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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