Energized by Karr’s sharp wit, this tale of Texas adolescence reads like a fast-paced novel. More importantly, her...
Fans of Karr’s award-winning The Liars’ Club (1995) will not be disappointed by this feisty, funny, and tender memoir of a drug-ridden coming of age in Leechfield, her Texas hometown.
The author’s much-married mother, bemused father, and angry sister Lecia are all still in place; new characters include surfers who nod out at the beach every weekend, the sweet college boy who was her first lover, and a bouquet of remarkable girlfriends, unlikely blooms among Leechfield’s insular population. Karr’s strange family has pushed her to the social outskirts, and she buries herself in books and fantasies. But they don’t stave off prepubescent self-consciousness, like the terrible shame of the huge pimple on her forehead exposed to her sixth-grade crush, or the pain when her best friend moves on to another best friend, or the humiliation that her first real date is with the town’s ranking dweeb, who is also a proselytizing Mormon. Karr vividly captures those moments that are so important to a girl growing up, and explains why they are important. She candidly depicts a muffed eighth-grade suicide attempt and high-school years passed in a blur of drugs (the time is the late 1960s and early ’70s) as she tried to escape the paralyzing monotony and psychic brutality of life in Leechfield. Accelerating substance abuse leads to arrest and a horrendous, acid-laced night at Effie’s Go-Go bar, whose terrifying patrons inspire Karr to one of those chemically assisted moments of revelation: “There’s no place like home.” She leaves home soon enough, however, bound for California, where her new life as drug-free poet and writer will soon begin.
Energized by Karr’s sharp wit, this tale of Texas adolescence reads like a fast-paced novel. More importantly, her clear-eyed recollection of what it’s like to change from child into woman resonates with truth.Pub Date: Oct. 1, 2000
ISBN: 0-670-89274-2
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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