Delightfully bighearted reading.
An essayist and Emmy-winning literary talk show host muses on the ups and downs of her life as a daughter, mother, career woman, and wife.
Philpott (Penguins with People Problems, 2015), who hosts A Word on Words on Nashville Public Television, opens this collection of inviting autobiographical essays with a meditation on the titular phrase. Her son devised it as a bored 6-year-old playing in her home office, but she later saw the words as perfectly capturing “that universal adult experience: the identity crisis.” In the appealing essays that follow, Philpott explores episodes from her life when she experienced identity shifts, both large and small, that forced some form of personal “recalibration.” She begins by examining how the perfectionism that followed her from a childhood defined by good grades and a desire to please came up against the adult realization that humans are “limited by the bounds of what we understand to be right.” In “Good Job,” Philpott details her first post-college/early-career awakening. As the author clearly demonstrates, the rewards toward which she had been taught to run “like a mouse on a wheel” simply did not exist. Yet her tendency to impose an ideal version of reality onto her actual experiences continued, as she admits in “The Expat Concept.” When her husband’s job took him to Dublin, for example, she put more time into creating the perfect wardrobe and envisioning glamorous photo-ops than “into figuring out how we would eat.” It was only during a major midlife crisis that the author came face to face with the fact that the perfect existence she insisted on creating—despite all she knew about letting go of personal and social expectations—had left her feeling like a depressed “human traffic jam.” Warm, candid, and wise, Philpott’s book is both an extended reflection on the pressures of being female and a survivor’s tale about finding contentment by looking within and learning to be herself.
Delightfully bighearted reading.Pub Date: April 2, 2019
ISBN: 978-1-982102-80-7
Page Count: 288
Publisher: Atria
Review Posted Online: Jan. 5, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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