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COMMAND OF THE KING

Another genre romance from Lide, this one more tied to the history books than her recent salt and heather-scented Tregaran duo since it concerns events during the early part of Henry VIII's reign. Here, in fact, it's 1512 when Lide raises the curtain on her downy-skinned Devonshire heroine, Philippa de Verne, daughter of a Yorkist traitor and just about to be married off to an elderly solicitor so that her wicked stepfather can steal her land. Coincidence throws her into the arms of one Richard Montacune, a Northumbrian lord returning from the wars in France. He saves her from a rape attempt; she offers up her lips, which he accepts while refusing to help her run away. Abscond she does, nonetheless, to Henry's court, where she plans to plead for the king's help. Instead, she lands in the middle of a Yorkist riot—where guess who shows up to rescue her again? (``Why, Lord Montacune, such a coincidence....'') Next, she winds up in the entourage of the king's sister, Princess Mary, a self-indulgent chit bent on resisting marriage to Emperor Charles. The princess has Philippa make her case before the king, resulting in another rape attempt, this one royal. Philippa's liaison with Mary continues to cause trouble in France when the princess marries Louis, elopes with an English duke after the French king's death, and finally betrays Philippa while trying to escape Henry's wrath. But all's well that ends well, since Montacune appears to fight for and win his lady fair at the lists. Surprisingly labored, characterless, and coincidence-plagued. In earlier books Lide's won the day out of sheer romantic panache. Not this time.

Pub Date: Dec. 18, 1991

ISBN: 0-312-06319-9

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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