A delightful conversation starter on a topic of perennial interest to young children.

HOW TO HAVE A BIRTHDAY

Are there key ingredients that are part of any (American) child’s birthday?

Ray intimates that there are. Her narrative employs the second person, a choice that instantly draws the listener in: “…your birthday is to celebrate that you are here. It’s to tell you that you matter.” Derby’s compositions follow three characters throughout their special days. Two have brown skin—one with long, straight hair and the other with two Afro puffs. The third child is White with flaming red hair and glasses. Each carries a stuffed animal. The telling is sensitive to class and income differences, often using the conditional may or might, and while presents and singing are mentioned, intangibles and independent actions are mentioned as well: your first present is “…you get to wonder” (what will occur on this day), and you can always sing to yourself. Traditions and cake are often involved, but it’s also terrific that birthdays are portable; they go with you all day, whatever you do. Dynamic single- or double-page scenes depict snowy, windswept play; dabs of vibrant color suggest a field of flowers that, upon closer inspection, reveal bodies and faces, illustrating the idea that pictures will help you remember the occasion. The title concludes with three horizontal, parallel views, one for each child as they make wishes.

A delightful conversation starter on a topic of perennial interest to young children. (Picture book. 4-7)

Pub Date: Sept. 14, 2021

ISBN: 978-1-5362-0741-5

Page Count: 32

Publisher: Candlewick

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Not enough tricks to make this a treat.

HOW TO CATCH A WITCH

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: June 1, 2022

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