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THE KEVIN SHOW

LOVE, MANIA, AND THE OLYMPICS

Grippingly provocative reading.

An award-winning journalist tells the story of one man’s struggle with a rare form of bipolar disorder called the Truman Show delusion.

Kevin Hall had it all: intelligence, money, and good looks as well as a deep love of sailing, a sport that defined his identity from boyhood. Hall excelled in school and, under the guidance of his hard-driving father, won many prestigious sailing awards. He then went to Brown University, where he double majored in math and French literature and also qualified to train with U.S. Sailing Team coaches. During his junior year, Hall suffered the first of many psychotic breaks. He also became aware of “The Director,” an illness-born figure that pressed him to do anything from travel out of town to walk into ongoing traffic for “The Show,” an imaginary reality TV broadcast intended for a worldwide audience. Hall finished college but not without facing more demands from the Director, encounters with the police, and stints in mental hospitals. Back home in California, he continued to train with the idea of one day fulfilling his Olympic dreams. Hall also battled to stay on medications he hated and overcome testicular cancer. He eventually married his college girlfriend, made the America’s Cup Team, and participated in the 2004 Athens Olympics, where he finished 11th. Yet, as journalist Pilon (The Monopolists: Obsession, Fury, and the Scandal Behind the World’s Favorite Board Game, 2015) ably shows, every triumph was laced with struggle and feelings of monumental failure. He also faced the stern judgment of a father who believed his son was not trying hard enough to overcome his illness. After one especially bad manic episode, the elder Hall told his son he had “wasted time and hard-earned money to be part of Kevin’s indulgence.” The narrative, which is interspersed throughout with photos, interviews, and excerpts from Hall’s journals, reads like an in-depth character study of a morbidly delusional man. As it journeys through Hall’s illness, it also forces readers to consider the “sanity” of their own relationship to a media-saturated world.

Grippingly provocative reading.

Pub Date: March 6, 2018

ISBN: 978-1-63286-682-0

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: Nov. 25, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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