A buoyant first-person chase story sometimes overburdened with superfluous archival baggage.
A former restorer of antiques debuts with a love story/scholarly adventure as she pursues the uncertain provenance of a large 19th-century mirror with a wooden frame featuring a carving of an image from Aesop’s “The Fox and the Grapes.”
For Huggins—now a consultant and shopper for museums, decorators and collectors—it was love at first sight. In 1995, a friend was selling a farm and its furnishings. Huggins went to take a look, and thus began a decade-long obsession with the Rococo mirror, a quest that temporarily drained her bank account and sent her all over the East to visit historical societies, courthouses, archives, private homes, authorities at museums and auction houses. The search took her into the family histories of the Browns (as in Brown University), the Vanderbilts and even Ireland’s celebrated Charles Parnell, once dumped by Abby Woods, daughter of Anne Brown Francis, in whose home the mirror once hung. Broken-hearted, says Huggins, Parnell returned to Ireland. The author impulsively bought the mirror, borrowed money from her accommodating brother to complete the purchase and began her quest to determine where it was made—America? England? Ireland?—and who owned it. She discovered that the wood was American white pine, but it could have been imported. The glass had long ago been replaced, and there were no identifying marks anywhere. Undaunted, Huggins spoke to just about anyone who might have the flimsiest filament of a clue. The author became consumed by the histories of the families and takes us along for too many pages on an interminable European vacation. The author eventually discovers that love makes no sense—and doesn’t need to.
A buoyant first-person chase story sometimes overburdened with superfluous archival baggage.Pub Date: Nov. 17, 2009
ISBN: 978-0-374-10103-9
Page Count: 288
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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