An absorbing tale of a Persian king and his Armenian love.
A work of folklore traces the rise of an ancient prince.
Khosrow-Parviz, the son of the Sassanid Shah, is a prodigious talent with many skills both physical and mental. His youthful irresponsibility leads to his father punishing Parviz, causing him to lose his royal position. But the crown prince is visited in a dream by his grandfather, who shares with him a prophecy: “Since you ate sour grapes and did not turn sour, you will find a lover who is sweeter than any woman in the world....Since Shah gave your throne away, you will get the throne of the Persian kingdom.” Parviz soon learns that the first part of the prophecy is within his grasp: the lover is Shirin, the beautiful niece of the shah of Armenia. Parviz dispatches a servant to bring Shirin to the Persian capital, but a misunderstanding with his father causes the shah to seek Parviz’s arrest. The prince flees Persia even as the woman of his dreams travels there to meet him. As Parviz and Shirin crisscross the world, forever seeking each other, wars are fought and kingdoms rise and fall. But Parviz never forgets his destiny: to become a great emperor of the Sassanid Dynasty and to have the beautiful Shirin as his queen. Tabibzadeh (Danger of Love, 2014, etc.) tells the tale of Parviz and Shirin in a practiced, polished manner, capturing the poetry of the ancient story and its worldview: “That evening, when the night spread its hair, covering the world in darkness, Parviz went home and recited his prayers.” Because the tale is told in the style of folklore—and not as a novelization—the narration remains rather distant and detached from the events it describes, and the characters feel very much like archetypes instead of living, breathing individuals. For this reason, the text becomes somewhat monotonous after the first 50 pages. That said, fans of ancient epics and sagas should find much to enjoy in this account of Parviz and his adventures, not the least of which being the geopolitics of the Sassanid Empire of pre-Islamic Persia.
An absorbing tale of a Persian king and his Armenian love.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Feb. 17, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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