Those nervous about attending school for the first time will not find much comfort here, though teachers might like the...
More like Love’s second book (You Are My Miracle, 2005) than her first (You Are My I Love You, 2001) in the You Are My… series, this fourth, school-themed one falls flat, especially since most of its intended audience does not yet attend school.
“I am your teacher; / you are my school child. // I am your welcome; / you are my running wild.” And so a new group of students gets to know their teacher, a kindly gray elephant who ushers them through their first day of school. Ichikawa’s weather nicely echoes the feelings that accompany those new to school—the rainy day giving way to lovely sunshine that allows the class to get outside. Her stuffed-animal students are a bit of a tougher read, as their facial expressions and body positions are stiffer than the usual anthropomorphized-animal picture-book fare. From music, show-and-tell and crafts to storytime, lining up and getting ready to go home, all the standard markers of school are here…except for metaphors that are meaningful to children. While many kids will not have trouble understanding that they are the “double-quick” to their teacher’s “go slow,” few will glean meaning from being a “Popsicle stick” to her “glue.” And while each of the rhyming verses flows on its own, together, the inconsistent rhythms and sometimes-forced rhymes make for an uneven read-aloud.
Those nervous about attending school for the first time will not find much comfort here, though teachers might like the sentiment. (Picture book. 3-6)Pub Date: July 1, 2012
ISBN: 978-0399-25293-8
Page Count: 32
Publisher: Philomel
Review Posted Online: May 8, 2012
Kirkus Reviews Issue: June 1, 2012
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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