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UNDEAD AND UNSTABLE

Davidson’s latest seems to be less interested in presenting new action than in laying groundwork for further volumes in her...

A vampire queen misses her late friend…until he mysteriously returns.

Betsy “Don’t-Call-Me-Elizabeth” Taylor is having a hell of a week, which is quite a feat for the reigning vampire queen. She’s in the throes of mourning her dear friend Marc when she makes a unilateral decision to bring him back from the dead. The idea doesn’t go over so well with her housemates, but Betsy’s indifferent to everyone’s opinion but her own. Before she can spring into action doing—well, she’s not quite sure, but doing something—she and her husband, Sinclair, discover Marc dissecting Betsy’s dead cat. Even though they live in a world of the Antichrist, werewolves and other supernatural folk, zombie-Marc is unexpected and not universally welcomed. Concerns about the politically correct way to say zombie (“metaphysically-challenged”?) are preempted by a more pressing need to address and contain the unwanted visitor to the household. As with all women in charge, Betsy knows she’s got to clean up the mess, but it seems possible she’s going to make things worse and not better.

Davidson’s latest seems to be less interested in presenting new action than in laying groundwork for further volumes in her series (Undead and Undermined, 2011, etc.). The same mixture as before, but with more Game of Thrones references.

Pub Date: June 5, 2012

ISBN: 978-0-425-24757-0

Page Count: 316

Publisher: Penguin

Review Posted Online: May 19, 2012

Kirkus Reviews Issue: June 1, 2012

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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