by Mathieu Pierloot ; illustrated by Maria Dek ‧ RELEASE DATE: Sept. 17, 2019
A worthy theme of noticing the “show” of nature receives an uninspired illustrative treatment.
A young girl discovers the fascination of nature.
Camille is bored one rainy Sunday and decides to go outside. There she communes with the raindrops, sticking out her tongue (“the rain tastes like dust, like clouds”), and “shivers with happiness” when the thunder comes. She talks to the ants, who tell her they are “going to a show.” Camille naturally wonders what the show is, but the story doesn’t go there directly. Instead, Camille cavorts. (Young readers will notice here that the illustrations do not sync with the text, which reads that she ‘“runs her hands through the tall, wet grass” whose “strands tickle her palms,” while the illustration shows Camille stretching on a brick wall and then splashing in a puddle.) When she spies a spider on a rose bush, weaving a web, she, too, mentions the show. Again, Camille wonders what the show is but, again, doesn’t go looking. While pondering a big tree, she inadvertently comes upon the show—a chrysalis opening. While the somewhat-scattered text doesn’t follow a strong story arc, its meandering does underscore the whimsy of an unplanned walk in the rain. However, Dek’s illustrations—rendered in watercolor (but so opaque as to look like gouache)—dampen rather than uplift. Their clunky, ponderous style just doesn’t appropriately complement a story about the evanescence, transformation, and luminosity of nature. All humans shown are white.
A worthy theme of noticing the “show” of nature receives an uninspired illustrative treatment. (Picture book. 3-7)Pub Date: Sept. 17, 2019
ISBN: 978-1-61689-828-1
Page Count: 44
Publisher: Princeton Architectural Press
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Aug. 18, 2026
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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