Friendship gives more strength than any alter ego ever could.
A young victim of name-calling empowers himself by imagining possible alter egos.
Three boys sit in a vast schoolyard with a crumpled daisy and crown off to one side. Brandon, with reddish hair and white skin, imagines himself a zombie with poisonous tears. Oscar, with glasses and darker skin, imagines himself to be a ghost who can swipe away hurtful words without anyone ever noticing. The unnamed narrator, a boy with blond hair and white skin, jumps in, pretending to be a vampire that sucks bad things from the air—including Sam’s mean words. The original altercation has happened off-page, so readers must be skilled in inference to understand who Sam is. Passing references to fairies and a thought bubble showing Brandon wearing a crown with a daisy tucked behind his ear imply that Sam (a girl, never seen, but gender based on pronoun choice) taunted him, spurring those previous poisonous tears. With tears now dried, the three friends decide that not a zombie, but rather a zombie prince, is the best alter ego. Melanson’s digital art is simple, rendering the children with circular heads and lean, linear bodies. Nothing clutters the gentle lesson, though at times the narrative is so obscure, it just may clutter itself.
Friendship gives more strength than any alter ego ever could. (Picture book. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-1-55498-997-3
Page Count: 24
Publisher: Groundwood
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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