A fresh twist on the Iraq War novel adds depth to this burgeoning genre.
A complex tale about the Iraq War, intrigue, love, and survival.
Gallagher follows up on his successful first book, the memoir Kaboom: Embracing the Suck in a Savage Little War (2010), with a smart Iraq War novel that adds something new to the genre—new genres. Gallagher subtly weaves throughout this excellent, brutal tale intrigue, a mystery, and two compelling love stories. The “suck” of war surrounds young Lt. Jack Porter, a platoon commander of 40 men, many rookie “youngbloods.” They’re stationed in Ashuriyah, Iraq, performing “counterinsurgency handholding bullshit” as the military prepares to withdraw from Iraq. A stark desert surrounds them, the heat looms like ”holy venom.” Their checkpoint base, a “desert acropolis” that overlooks the town’s slums, is a mansion Saddam gave one of his generals. Porter is a sensitive leader who wants nothing more than to survive and bring his men home, to leave “having done a good thing…that actually matters.” When a new, more experienced and assertive sergeant, Daniel Chambers, shows up, Porter feels threatened, his leadership challenged. This is when Gallagher’s war novel morphs into a noir mystery. Intense fighting has broken out. Porter hears stories from Iraqis about Chambers having been involved in civilian killings four years ago and having helped kill a powerful sheikh's son. He learns about the disappearance of a Sgt. Rios, or Shaba, the “money man” who once saved Chambers’ life; he just went missing, perhaps kidnapped. Rios was also in love with this sheikh’s daughter. He wanted to marry her and live in Iraq. Porter becomes obsessed with Rios and his involvement with Chambers. Seeking more information, he’s drawn deeper into the lives of the local Iraqis. It means more confrontations with Chambers. It means building new relationships that could jeopardize how well he can lead his men.
A fresh twist on the Iraq War novel adds depth to this burgeoning genre.Pub Date: Feb. 2, 2016
ISBN: 978-1-5011-0574-6
Page Count: 336
Publisher: Atria
Review Posted Online: Oct. 18, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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