A set of tantalizing verbal snapshots rather than a culinary map of the region, the book clearly communicates the author’s...



An enthusiastic journey through some of Spain’s culinary hot spots, with emphasis on the work of professional chefs.

Goulding (Rice, Noodle, Fish: Deep Travels Through Japan’s Food Culture, 2015, etc.), chief editor of the travel web journal Roads & Kingdoms and co-author of the Eat This, Not That! series, has for six years kept a home base in Barcelona, where he lives with his Catalan wife. The city gets pride of place among the areas considered in-depth in this exuberant survey, but it’s clear that the author has had some good meals and even better tapas crawls elsewhere, as well. The volume reads more like a collection of disparate essays than a unified study of the regional cuisines of Spain. In the mountains above Salamanca, Goulding watches as workers slaughter the 140 pigs intended for a festival, and he rhapsodizes about the joys of acorn-fed ham. A trip to the Basque country offers an opportunity for the author to sing the praises of his old cooking-school instructor, Luis Irizar Zamora, “the master of masters” and teacher of “some of the most famous chefs in the country.” Copious illustrations of people, food, and people preparing and enjoying food enliven the book, and interludes between chapters provide instruction on how to “drink like a Spaniard” (“skip the sangria,” which is “largely a tourist trick”) or give miniportraits of some “people of Spain,” such as bodega owner Armando, who professes, “I work here 16 hours a day. I need to look for a woman. Or maybe a rich man. Anybody to give me a break.”

A set of tantalizing verbal snapshots rather than a culinary map of the region, the book clearly communicates the author’s affection for the food, both simple and refined, of his chosen country and makes obvious how much difference a change of just a few dozen miles makes in what ingredients and dishes are favored and seen as representative of the culture.

Pub Date: Nov. 15, 2016

ISBN: 978-0-06-239413-2

Page Count: 368

Publisher: Harper Wave

Review Posted Online: Sept. 7, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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