Immersive, dystopian cyberpunk recalling the genre’s 1980s heyday.
In Hartle’s SF novel, set in a nightmarish Tokyo of tomorrow, an amnesiac warrior-hacker finds himself protecting a mysterious woman and child from powerful corporate interests.
Toxic “Base City” is the never-specified (but nonetheless identifiable) city of Tokyo a century hence. Skyscrapers blot out the sunlight, amoral corporations vie for control and profits, and technological body modifications, sensory boosts, and human-machine interfaces are standard means of social advancement for those who can afford them. Formidable data-hacker Ashiro Taki is an extreme case even by secret-agent standards, with military-grade cyborg augmentations, combat reflexes, and storage drives (“It was remarkable—the man was as much synthetic as he was organic. Organs and tissues had been replaced, muscles and bones enhanced; armor plating was everywhere”). Why he exists in this state, he doesn’t know; his long-term memory has been wiped, and he goes from one (generally violent) assignment to another in the murky Base City underworld, sustained by drugs, deadlines, and vestigial visions of his past. By chance or design, Ashiro crosses paths with fugitives from the mighty cybernetics-based Hakko Ichiu Corporation. They are Chiya, a female “healer,” and a mystery boy called Wren, who’s somehow of immense value to the company. Wren was placed in Chiya’s care, and she fled with him to hide in the poorest districts. Ashiro becomes their defender against a determined dragnet of lethal pursuers. It’s long been fashionable to declare cyberpunk a defunct genre, but when an author of Hartle’s talents pumps this much juice into the tropes, they come alive as they did in the heady 1980s, when William Gibson’s Neuromancer debuted. The action is slick, the techno-veneer is seductive, even in its horrific aspects, and a retro, noirish flavor leavens the future-shock. Wren’s secret is easy to guess and key plot points remain hazy, but genre readers should salute this diverting yarn’s all-Asian cast—while Japanese anime influences have always helped to define cyberpunk, too often the lead parts default to Anglos.
Immersive, dystopian cyberpunk recalling the genre’s 1980s heyday.Pub Date: Sept. 20, 2023
ISBN: 9798988666820
Page Count: 257
Publisher: Bowker
Review Posted Online: Nov. 30, 2023
Kirkus Reviews Issue: Jan. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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