A rare book about math sure to make you smile, despite your feelings about the subject. Once again, Parker measures up.
A thorough explanation of triangles by the popular Australian mathematician, comedian, and bestselling author of Humble Pi.
“Triangles are everything,” Parker writes in the introduction, “and everything is triangles.” The following 10 chapters bear titles like “Going the Distance,” “Getting Triggy With It,” and “Making Waves.” Within his exploratory and everyday applications of triangles, the author describes rounding corners on a racetrack (“the bike did lean just over 45° from vertical. Which means I can officially name my new motorbike gang Hell’s Angles”), playing pool (“it’s hard to find a more common or more practical use of angles and geometry”), and looking at rainbows, which, he explains, are not arches but circles. Parker delineates myriad laws and patterns, and history as well as recent news. One example of the latter is the March 2023 discovery of the first aperiodic monotile, dubbed “the Hat.” “Given this shape had been eluding the entire mathematics community for over half a century,” Parker writes, “nobody expected it to be so straightforward.” The author has a gift for making somewhat tedious topics not only comprehensible and absorbing, but also great fun. As one example, he refers to Pythagoras (“the granddaddy of triangle maths”) as “the Beyoncé of maths” because “who cares about his last name.” Parker’s tireless enthusiasm, light touch, and inviting manner make for a reading experience akin to a visit to Epcot Center, led by a guide in possession of childlike wonder in addition to adult acumen and humor. The author never gets mired in the weeds, even as he manages to cover a tremendous amount of detailed information, aided by illustrations that feature appealing captions running the gamut from simple to complex.
A rare book about math sure to make you smile, despite your feelings about the subject. Once again, Parker measures up.Pub Date: Aug. 20, 2024
ISBN: 9780593418109
Page Count: 336
Publisher: Riverhead
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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