THINGS TO MAKE AND DO IN THE FOURTH DIMENSION

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THINGS TO MAKE AND DO IN THE FOURTH DIMENSION

Name: THINGS TO MAKE AND DO IN THE FOURTH DIMENSION
Author: Matt Parker
ISBN: 978-0374275655

A MATHEMATICIAN'S JOURNEY THROUGH NARCISSISTIC NUMBERS, OPTIMAL DATING ALGORITHMS, AT LEAST TWO KINDS OF INFINITY, AND MORE

by Matt Parker ‧ RELEASE DATE: Nov. 11, 2014

Parker should be commended. He may not convert all readers to loving math, but he does provide a glimmer of understanding of...

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Guardian and Telegraph writer and comedian Parker aims “to show people all the fun bits of mathematics.”

For starters, take out paper and pencil, compass, straight edge, maybe a balloon or a bag of oranges, because the author will challenge you to tackle puzzles, whether it’s cutting a pizza in equal slices so some pieces never touch the center or passing a quarter through a nickel-size hole. Parker begins with the easier elements like number systems, primes and the polygons of Euclidean geometry. But his approach has the acceleration of a Ferrari, so readers are quickly racing into higher dimensional space. Parker explains how a square becomes a cube in 3-D and a hypercube (a tesseract) in four dimensions or a doughnut (a torus) becomes an object called a Klein bottle. This branch of math is topology, but in arriving there, Parker makes forays into subfields like tiling (think bathroom floors), packing (how to ship oranges efficiently) and knot theory. Some readers will lose their way—the visualizations alone are tough. Also, by this point, it’s clear that the author does not aspire to create a math-for-dummies handbook. Instead, he provides one man’s take on the history of math, emphasizing the puzzles that led to profound discoveries or to tantalizing conjectures that remain neither proved nor disproved. But this one man is also a dedicated denizen of the digital universe, and some of the best parts of the book are Parker’s explanations of how computers work. This includes the feat in which he and math colleagues set up a field of thousands of dominoes to demonstrate how a computer adds two binary numbers. Parker goes on to explain how smartphones digitally code a photo and why a text sent across the globe arrives error-free despite all the relays along the way.

Parker should be commended. He may not convert all readers to loving math, but he does provide a glimmer of understanding of how it works.

Pub Date: Nov. 11, 2014

ISBN: 978-0374275655

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 30, 2014

Kirkus Reviews Issue: Oct. 15, 2014

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.