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MOZART'S LAST ARIA

A beautiful book illuminated by the author’s own musical background that moves slowly and deliberately to a fine conclusion.

Rees’ latest marks a distinct departure from the Omar Yussef detective series as it combines mystery and historical intrigue with a timeless love story.

Thousands of words have been written about the late-18th-century musical genius, Wolfgang Amadeus Mozart, a child prodigy who, with his sister, toured much of Europe. Maria Anna, known to her family as Nannerl, was five years older than her brother, who died in Vienna in the winter of 1791. He rose to acclaim in the Austrian capital, leaving Nannerl behind. She married and the two were estranged three years before his death. The story opens with Nannerl on her own deathbed. She gives her nephew, also called Wolfgang, an old diary to read. In it she has recorded the story of her search for the reason behind her brother’s death. The younger Nannerl, accompanied only by her maid, travels to Vienna after receiving the news. She feels sad, knowing that she cut herself off from the one person who loved her most, and goes to see his widow, Constanze, who describes her husband’s last few days. Nannerl starts to believe her brother was poisoned and, against the frozen background of Vienna in the days of King Leopold, whose own sister, French Queen Marie Antoinette, lives under arrest, she sets out to unravel the mystery of her brother’s murder. While searching for answers, Nannerl finds more than simply a conspiracy; she also uncovers a side to her beloved brother that she had never before known. Rees nails the details of Mozart’s Vienna with precision, seasoning his story with musical details that will delight fans of classical music. The author renders Nannerl very sympathetic and teases in a touch of romance that is both bittersweet and unexpected. At the heart of the tale lies Mozart’s real-life membership in the Masons, a tiresome and familiar plot device that mars an otherwise lovely story.

A beautiful book illuminated by the author’s own musical background that moves slowly and deliberately to a fine conclusion. 

Pub Date: Nov. 1, 2011

ISBN: 978-0-06-201586-0

Page Count: 320

Publisher: Perennial/HarperCollins

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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