Those who can’t get enough of the details of Jackson’s death might relish this account, but those who prefer to appreciate...
A tabloid-style exploration of the death of Michael Jackson (1958-2009), particularly the role the singer’s personal physician may have played in his demise.
In their first book, screenwriter and director Richards and music manager Langthorne plod methodically and chronologically through Jackson’s life, pausing to zoom in on his final few days as well as the 83 minutes that passed between the time Jackson’s physician, Conrad Murray, allegedly discovered him unconscious and the time of his arrival at the hospital. The rehash of the singer’s life in the first half of the book treads familiar ground, dutifully recording how high Jackson’s records made it on the Billboard charts, detailing his intake of prescription painkillers, describing the lawsuits filed against the singer, and examining the minutiae of his contracts with his various producers. In the second half of the book, the authors rely heavily on court records from the trial of Murray on the charge of involuntary manslaughter, of which he was convicted. The picture that emerges of Jackson’s last days is sordid and depressing: Murray appears to have been incompetent and distracted, at best, while his patient comes across as “a frail, deeply insecure, vulnerable, unfit, 50-year-old with a chronic addiction to a wide variety of prescription medicines.” The authors raise the question of whether his producers at the time, AEG Live, may have somehow been involved in his death, but they back away from making any firm conclusions. The book’s bibliography is heavy on websites, and the extensive notes often contain material that could have been more gracefully added to the text. While the epigraphs from J.M. Barrie’s Peter Pan that head each chapter suggest that the authors may have intended a psychological analysis of their subject, their emphasis is strictly on the facts.
Those who can’t get enough of the details of Jackson’s death might relish this account, but those who prefer to appreciate his music should look elsewhere.Pub Date: June 21, 2016
ISBN: 978-1-250-10892-0
Page Count: 432
Publisher: Dunne/St. Martin's
Review Posted Online: April 29, 2016
Kirkus Reviews Issue: May 15, 2016
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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